A heartfelt fantasy tale with a spirited plot.
Magic and suspense abound in this moving debut fantasy novel about how far a witch will go to help a friend.
Aven Dovenelle is new to Salem, Massachusetts, where she sets up a shop for potions and charms. Although most of Salem’s other witches resent her, she’s found a true friend in Josephine “Jo” Riddle and her daughter, Sylvia. Jo is a fellow witch who does vision walks, and Aven opens up to her, revealing for the first time that she’s been cursed to live one life after another, with no relief. A mysterious white raven often appears in her peripheral vision, but never long enough for her to find out why. With Jo’s help, she discovers the reasons why she was cursed and why the raven has been following her. The weight of the witchcraft in this story is tempered by the introduction of handsome Cal Jacobs, a down-to-earth plumber who ends up on a date with Aven. He may not initially believe that she’s a witch, but he soon has no choice, as a series of dramatic events unfold, each one testing Aven’s abilities further. It will take an intense amount of “magick” to help her—and possibly the ultimate sacrifice. Aven is a delightful protagonist who’s as funny as she is powerful (at one point, for example, she describes her personal style as “the Garage Sale Queen look”), and her wit keeps the story moving. Miller’s novel also showcases its flawless worldbuilding; it explains Aven’s many lives in compelling terms and offers beautiful sensory details, such as the smells of lemongrass and clove in the shop. The white raven’s occasional chapters of narration are opaque, but otherwise, each character brings the right amount of heart (and plot) to the story. The best part of the novel, however, is Aven and Jo’s friendship, as they often seem to genuinely enjoy each other’s company; they’re characters that fantasy fans won’t soon forget.
A heartfelt fantasy tale with a spirited plot.Pub Date: April 27, 2017
ISBN: 978-1-947024-01-4
Page Count: 412
Publisher: CreateSpace
Review Posted Online: June 15, 2017
Kirkus Reviews Issue: Aug. 1, 2017
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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