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ALL THESE WONDERS

TRUE STORIES ABOUT FACING THE UNKNOWN

As Neil Gaiman writes in his foreword, “the Moth teaches us not to judge by appearances. It teaches us to listen. It reminds...

The Moth’s 20-year retrospective contains all the hope, sadness, triumphs, and tribulations that have defined the pioneering live reading series since its modest debut in 1997.

Devoted fans of The Moth Radio Hour know that the true stories told live onstage without notes in venues located throughout the world consistently pack an emotional wallop. It’s refreshing to see that those same stories are almost as powerful in print as they are in person. For instance, the story of a child soldier from Sierra Leone casually besting his New York City pals in a teenage game of paintball is almost as hilarious and heartbreaking as if author Ishmael Beah were in the room telling you the tale himself. Christof Koch’s stirring memoir about his time working with famed scientist Francis Crick right before his death is no less impactful on paper. Similarly, Nadia Bolz-Weber’s account of her life-changing experience on the road to Jericho ably conveys the intensity of the panic attack that taught her how to be vulnerable around her fellow travelers (“twenty Super-Nice Lutherans from Wisconsin”). Some stories—e.g., Tig Notaro’s “R2, Where Are You?”—do lose a little something being restricted to the page, but that likely has more to do with editing for space than a missed performance. Other stories, like Tomi Reichental’s absolutely shattering account of how she narrowly escaped death at the infamous Bergen-Belsen concentration camp, actually benefit from the buffer the written word provides. Other contributors include Louis C.K., Adam Mansbach, Jane Green, John Turturro, Jessi Klein, Meg Wolitzer, and Gil Reyes. Overall, the two decades of the Moth remain as entertaining and powerful off-stage as they were onstage.

As Neil Gaiman writes in his foreword, “the Moth teaches us not to judge by appearances. It teaches us to listen. It reminds us to empathize.” Here’s to at least 20 more years.

Pub Date: March 21, 2017

ISBN: 978-1-101-90440-4

Page Count: 336

Publisher: Crown Archetype

Review Posted Online: Dec. 18, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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