A potent book that readers won’t soon forget, and a warning of what can come of an insatiable market that knows no borders.
GQ and Mother Jones contributing editor Bowden (Some of the Dead Are Still Breathing: Living in the Future, 2009, etc.) digs into the complexities behind the ominous escalation of violence in Ciudad Juárez, a city across the border from El Paso that now has the tragic distinction of being the most dangerous city in the world.
In 2006, shortly after his controversial election, Mexican President Felipe Calderón, whom half of the nation considers illegitimate, declared war on the region’s drug cartels. He sent thousands of federal troops to Juárez’s state of Chihuahua, vowing to hunt down the leaders of the major drug distributors. At the same time, women in Juárez began to disappear, and their decomposing bodies began turning up in shallow graves in the desert. The disturbing trend was echoed by a simultaneous increase in rape and domestic violence in all of Juárez’s social strata. For the city’s unskilled labor force, the primary alternative to the drug business is a job in a maquila, whose ultra-low wages assure manufacturers from El Norte cheap production of goods for the global economy. Add to the mix a local police force willing to sell its guns to the highest bidder, and you have the makings of a potentially viral social disaster. Bowden began following the murders in March 2008. Before long, they outpaced his ability to contextualize them. Were they all drug-related? How many were committed for revenge or just the thrill of it by killers taking advantage of the growing lawlessness? Were the cartels behind them, or the police? Or the army, charged with restoring order? Straightforward answers elude the author, as they do nearly every observer—the city’s journalists, who are challenged to report on crimes without inciting killers to come after them; the social workers who deal with the human detritus who survive the violence; even a reformed sicario (assassin) who can only lovingly relate the gruesome details of his former craft but is clueless about who ordered his services or why. Bowden uses his tremendous talents to tell a haunting, darkly poetic story of a city’s horrifying descent into madness and anarchy.
A potent book that readers won’t soon forget, and a warning of what can come of an insatiable market that knows no borders.Pub Date: April 1, 2010
ISBN: 978-1-56858-449-2
Page Count: 384
Publisher: Nation Books
Review Posted Online: Dec. 30, 2010
Kirkus Reviews Issue: Jan. 15, 2010
Literature knows few champions as ardent and insightful—or as uncompromising—as Gornick, which is to readers’ good fortune.
Gornick’s (The Odd Woman and the City, 2016) ferocious but principled intelligence emanates from each of the essays in this distinctive collection.
Rereading texts, and comparing her most recent perceptions against those of the past, is the linchpin of the book, with the author revisiting such celebrated novels as D.H. Lawrence's Sons and Lovers, Colette's The Vagabond, Marguerite Duras' The Lover, and Elizabeth Bowen's The House in Paris. Gornick also explores the history and changing face of Jewish American fiction as expressions of "the other." The author reads more deeply and keenly than most, with perceptions amplified by the perspective of her 84 years. Though she was an avatar of "personal journalism" and a former staff writer for the Village Voice—a publication that “had a muckraking bent which made its writers…sound as if they were routinely holding a gun to society’s head”—here, Gornick mostly subordinates her politics to the power of literature, to the books that have always been her intimates, old friends to whom she could turn time and again. "I read ever and only to feel the power of Life with a capital L," she writes; it shows. The author believes that for those willing to relinquish treasured but outmoded interpretations, rereading over a span of decades can be a journey, sometimes unsettling, toward richer meanings of books that are touchstones of one's life. As always, Gornick reveals as much about herself as about the writers whose works she explores; particularly arresting are her essays on Lawrence and on Natalia Ginzburg. Some may feel she has a tendency to overdramatize, but none will question her intellectual honesty. It is reflected throughout, perhaps nowhere so vividly as in a vignette involving a stay in Israel, where, try as she might, Gornick could not get past the "appalling tribalism of the culture.”
Literature knows few champions as ardent and insightful—or as uncompromising—as Gornick, which is to readers’ good fortune.Pub Date: Feb. 4, 2020
ISBN: 978-0-374-28215-8
Page Count: 176
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 9, 2019
Kirkus Reviews Issue: Nov. 1, 2019
PERSPECTIVES
PERSPECTIVES
A feast for students of ancient history and budding historians of any period.
A delightful new translation of what is widely considered the first work of history and nonfiction.
Herodotus has a wonderful, gossipy style that makes reading these histories more fun than studying the rise of the Persian Empire and its clash with Greece—however, that’s exactly what readers will do in this engaging history, which is full of interesting digressions and asides. Holland (In the Shadow of the Sword: The Birth of Islam and the Rise of the Global Arab Empire, 2012, etc.), whose lifelong devotion to Herodotus, Thucydides and other classical writers is unquestionable, provides an engaging modern translation. As Holland writes, Herodotus’ “great work is many things—the first example of nonfiction, the text that underlies the entire discipline of history, the most important source of information we have for a vital episode in human affairs—but it is above all a treasure-trove of wonders.” Those just being introduced to the Father of History will agree with the translator’s note that this is “the greatest shaggy-dog story ever written.” Herodotus set out to explore the causes of the Greco-Persian Wars and to explore the inability of East and West to live together. This is as much a world geography and ethnic history as anything else, and Herodotus enumerates social, religious and cultural habits of the vast (known) world, right down to the three mummification options available to Egyptians. This ancient Greek historian could easily be called the father of humor, as well; he irreverently describes events, players and their countless harebrained schemes. Especially enjoyable are his descriptions of the Persians making significant decisions under the influence and then waiting to vote again when sober. The gifts Herodotus gave history are the importance of identifying multiple sources and examining differing views.
A feast for students of ancient history and budding historians of any period.Pub Date: May 19, 2014
ISBN: 978-0-670-02489-6
Page Count: 840
Publisher: Viking
Review Posted Online: April 7, 2014
Kirkus Reviews Issue: May 1, 2014
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