An eventful coming-of-age novel with vivid, relatable animal characters and the promise of more adventures to come.

THE FOREVER TIME

From the Wolf & The Warlander series , Vol. 1

A young horse and a wolf pup transcend their natural instincts to form an unlikely bond of friendship in the first of a three-part series for middle-grade readers.

When Ghost, a wild Warlander horse, and his father, Pegasus, stumble upon a dead female wolf and her litter of newborns, the young horse feels an inexplicable tie to the sole surviving pup. He persuades his father to bring him to their pasture to look after. As the little wolf, Seti, grows, he becomes Ghost’s playmate and companion, although the young horse’s parents warn him that one day “he won’t see you as a friend. He’ll see you as his prey.” A dangerous chance encounter with Seti’s father separates them, and, during their time apart, Seti lives as a junior member of his father’s pack, learning how to be a wolf. Although tragedy brings the horse and wolf back together briefly, they can’t deny their natures and their separate destinies. The link between them, however, will prove unbreakable. This action-packed and compassionate story is credited to Davis, the founder of the multiplatinum-selling New Age music group Mannheim Steamroller; the text is written by TV and YA writer Valenti (Last Night at the Monarch Motel, 2013, etc.). It pulls readers into a human-free, natural world of wild forest and pastures where the young animals grow through friendship and adversity. The tale employs a deft blend of authentic animal characteristics and humanlike thoughts and speech (the latter rendered in italics). Realistic charcoal images by Taylor effectively complement mood and action; a subtle design of hoof and paw prints running throughout the pages underscores the theme of interspecies friendship. The book also includes information about the lives and histories of real-life Warlander horses and timber wolves and a brief glossary of story-related words. In addition, there’s a 45-minute CD of “soft atmospheric effects”—rain and thunder, running water, buzzing insects, frogs, and birds—and a bit of musical pageantry and otherworldly sound effects that seem to represent the magical bond between Ghost and Seti.

An eventful coming-of-age novel with vivid, relatable animal characters and the promise of more adventures to come.

Pub Date: N/A

ISBN: 978-0-9656909-2-8

Page Count: 107

Publisher: Mannheim Steamroller LLC

Review Posted Online: July 22, 2019

Kirkus Reviews Issue: Oct. 1, 2019

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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