Among all the recent fictions about the war, Cleave’s miniseries of a novel is a surprising standout, with irresistibly...
Privileged young Londoners lose their sense of entitlement and their moral innocence in Cleave’s (Gold, 2012, etc.) romantic but very adult World War II love story.
In 1939, Mary North and her friend Hilda are cosseted upper-class girls used to servants and tea at the Ritz. But as soon as England declares war, 18-year-old Mary quits finishing school and signs up to serve through the War Office. Sent to an elementary school, she is disappointed when practically her first task is to help evacuate her students from London. Looking for another teaching position, she meets 23-year-old Tom Shaw, who runs the school district. Melancholy iconoclast Tom does not enlist, believing “someone must stay behind who understands how to put it all back together,” but his more debonair roommate, Alistair, a conservator at the Tate, does join up. At first Alistair’s brutal experiences on the battlefront offer a stark contrast to the ease of the Londoners’ lives. Mary relishes teaching misfit children who remain in London, forming a particular bond with 10-year-old Zachary, a black American—the era’s racial prejudice becomes an undercurrent throughout the novel. Mary and Tom fall into heady love. Hilda remains a boy-crazy snob. When Alistair comes home on leave, the four spend an evening together. Hilda is attracted to Alistair, who is drawn to Mary, who is attracted back but does her best to remain loyal to Tom, who secretly tries to enlist but is turned down. Alistair ends up on Malta facing dire conditions under the Axis blockade. Meanwhile, the Blitz hits London. Suddenly no one is safe, and all face harsh realities. While Mary, Tom, and Alistair are all deeply complicated beneath their bantering wit, it is secondary character Hilda who grabs the reader’s heart as she evolves from Noel Coward joke into full-fledged human being.
Among all the recent fictions about the war, Cleave’s miniseries of a novel is a surprising standout, with irresistibly engaging characters who sharply illuminate issues of class, race, and wartime morality.Pub Date: May 3, 2016
ISBN: 978-1-5011-2437-2
Page Count: 608
Publisher: Simon & Schuster
Review Posted Online: Feb. 17, 2016
Kirkus Reviews Issue: March 1, 2016
PERSPECTIVES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.
Tremendous in scope—tremendous in depth of penetration—and as different a Steinbeck as the Steinbeck of Burning Bright was from the Steinbeck of The Grapes of Wrath.
Here is no saga of the underprivileged—no drama of social significance. Tenderness, which some felt was inherent in everything Steinbeck wrote, is muted almost to the vanishing point in this story of conflict within character, impact of character on character, of circumstances on personalities, of the difficult acceptance of individual choice as against the dominance of inherited traits. The philosophy is intimately interwoven with the pace of story, as he follows-from New England to California over some fifty odd years-the two families which hold stage center. There are the Trasks, brothers in two generations, strangely linked, strangely at war the one with the other; there are the Hamiltons (John Steinbeck's own forebears), a unique Irish born couple, the man an odd lovable sort of genius who never capitalizes on his ideas for himself, the tiny wife, tart, cold-and revealing now and again unexpected gentleness of spirit, the burgeoning family, as varied a tribe as could be found. And- on the periphery but integral to the deepening philosophy which motivates the story, there is the wise Chinese servant scholar and gentleman, who submerges his own goals to identify himself wholly with the needs of the desolate Adam Trask, crushed by his soulless wife's desertion, and the twin boys, Cal, violent, moody, basically strong enough to be himself—and Aron, gentle, unwilling to face disagreeable facts, beloved by all who met him. In counterpoint, the story follows too the murky career of Adam's wife, Cathy—who came to him from a mysteriously clouded past, and returned to a role for which she was suited—as a costly whore, and later as Madame in Salinas most corrupt "house," where the perversions of sex ridden males were catered to—and cruelty capitalized upon.Shock techniques applied with rapier and not bludgeon will rule the book out for the tender-skinned.
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.Pub Date: Sept. 19, 1952
ISBN: 0142004235
Page Count: 616
Publisher: Viking
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: Sept. 1, 1952
BOOK TO SCREEN
BOOK TO SCREEN
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