by Chris Cleave ‧ RELEASE DATE: July 10, 2012
In weaker hands this would seem a bit contrived, but Cleave knows how to captivate with rich characters and nimble plotting.
After the enormous popular success of his second novel (Little Bee, 2009, etc.), British author Cleave turns to the world of Olympic speed cyclists to explore the shifting sands of ambition, loyalty and love.
Tom, who just barely missed his own medal in 1968, is coaching Kate and Zoe to represent Britain at the 2012 Olympics, which the 32-year-old women know will be their last. They are best friends but fierce rivals. Zoe, who already has won four Olympic golds, lives only to race and will do anything, including sacrifice friends, ethics and her own emotional needs, to come in first. Though technically as fast, Kate is a perpetual runner -up, and compared to Zoe, she seems almost soft; her willingness to put family needs first has caused her to pass up two previous Olympic competitions. And then there is Jack, who has his own Olympic golds. He met Zoe and Kate when the three were stars in a program Tom ran to train Britain’s most talented adolescent cycling prospects. Jack was the sexy boy down from Scotland and obviously bound for glory. Although he and Zoe shared a brief, highly charged and emotionally fraught affair, Kate was the one he fell in love with and married. Their little girl, Sophie, is the novel’s real heart. Cleave has a gift for portraying difficult children who pull every heartstring. Battling leukemia and obsessed with Star Wars, Sophie furtively watches her parents’ reactions to her illness. Kate both embraces and resents that she is the one who must make the sacrifices for Sophie, while Jack’s commitment to his wife and daughter is deeper, if more complex, than Kate recognizes. Meanwhile, emotionally stunted Zoe is facing a personal crisis of her own, both public and private. Then higher-ups change the rules, and father-figure Tom must choose whether Kate or Zoe is going to the Olympics.
In weaker hands this would seem a bit contrived, but Cleave knows how to captivate with rich characters and nimble plotting.Pub Date: July 10, 2012
ISBN: 978-1-4516-7272-5
Page Count: 336
Publisher: Simon & Schuster
Review Posted Online: March 4, 2012
Kirkus Reviews Issue: March 15, 2012
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by Nana Kwame Adjei-Brenyah ‧ RELEASE DATE: Oct. 23, 2018
Corrosive dispatches from the divided heart of America.
Edgy humor and fierce imagery coexist in these stories with shrewd characterization and humane intelligence, inspired by volatile material sliced off the front pages.
The state of race relations in post-millennial America haunts most of the stories in this debut collection. Yet Adjei-Brenyah brings to what pundits label our “ongoing racial dialogue” a deadpan style, an acerbic perspective, and a wicked imagination that collectively upend readers’ expectations. “The Finkelstein 5,” the opener, deals with the furor surrounding the murder trial of a white man claiming self-defense in slaughtering five black children with a chainsaw. The story is as prickly in its view toward black citizens seeking their own justice as it is pitiless toward white bigots pressing for an acquittal. An even more caustic companion story, “Zimmer Land,” is told from the perspective of an African-American employee of a mythical theme park whose white patrons are encouraged to act out their fantasies of dispensing brutal justice to people of color they regard as threatening on sight, or “problem solving," as its mission statement calls it. Such dystopian motifs recur throughout the collection: “The Era,” for example, identifies oppressive class divisions in a post-apocalyptic school district where self-esteem seems obtainable only through regular injections of a controlled substance called “Good.” The title story, meanwhile, riotously reimagines holiday shopping as the blood-spattered zombie movie you sometimes fear it could be in real life. As alternately gaudy and bleak as such visions are, there’s more in Adjei-Brenyah’s quiver besides tough-minded satire, as exhibited in “The Lion & the Spider,” a tender coming-of-age story cleverly framed in the context of an African fable.
Corrosive dispatches from the divided heart of America.Pub Date: Oct. 23, 2018
ISBN: 978-1-328-91124-7
Page Count: 208
Publisher: Mariner/Houghton Mifflin Harcourt
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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by Yaa Gyasi ‧ RELEASE DATE: June 7, 2016
A promising debut that’s awake to emotional, political, and cultural tensions across time and continents.
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A novel of sharply drawn character studies immersed in more than 250 hard, transformative years in the African-American diaspora.
Gyasi’s debut novel opens in the mid-1700s in what is now Ghana, as tribal rivalries are exploited by British and Dutch colonists and slave traders. The daughter of one tribal leader marries a British man for financial expediency, then learns that the “castle” he governs is a holding dungeon for slaves. (When she asks what’s held there, she’s told “cargo.”) The narrative soon alternates chapters between the Ghanans and their American descendants up through the present day. On either side of the Atlantic, the tale is often one of racism, degradation, and loss: a slave on an Alabama plantation is whipped “until the blood on the ground is high enough to bathe a baby”; a freedman in Baltimore fears being sent back South with the passage of the Fugitive Slave Act; a Ghanan woman is driven mad from the abuse of a missionary and her husband’s injury in a tribal war; a woman in Harlem is increasingly distanced from (and then humiliated by) her husband, who passes as white. Gyasi is a deeply empathetic writer, and each of the novel’s 14 chapters is a savvy character portrait that reveals the impact of racism from multiple perspectives. It lacks the sweep that its premise implies, though: while the characters share a bloodline, and a gold-flecked stone appears throughout the book as a symbolic connector, the novel is more a well-made linked story collection than a complex epic. Yet Gyasi plainly has the talent to pull that off: “I will be my own nation,” one woman tells a British suitor early on, and the author understands both the necessity of that defiance and how hard it is to follow through on it.
A promising debut that’s awake to emotional, political, and cultural tensions across time and continents.Pub Date: June 7, 2016
ISBN: 978-1-101-94713-5
Page Count: 320
Publisher: Knopf
Review Posted Online: March 1, 2016
Kirkus Reviews Issue: March 15, 2016
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