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BY THE SWORD

From the Spoils of Olympus series , Vol. 1

An educational yet adventurous novel that will leave readers eagerly anticipating the next installment.

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A hero comes into his own in Kachel’s debut work of historical fiction.

Alexander the Great is dead, his empire in chaos. Following his death, former allies fight to gain control of Alexander’s realm, which is divided among his heirs. Andrikos is a young man growing up in Ilandra during this time of violence and political turmoil. Though he admires the courage of Alexander’s military, Andrikos whiles away with ill-advised friendships and skirts the edge of a criminal existence. The young man is forced to leave his hometown following a violent encounter and the painful death of a friend. He seeks refuge with the army in hopes that he will grow into a strong, courageous man who can someday return home. His training and initiation are brutal, yet Andrikos proves himself to his colleagues and superiors. He’s recruited to assist a mysterious organization called the King’s Hand, a shadowy group dedicated to protecting Alexander’s rightful heirs. With the help of his mentor, Vettias, Andrikos soon learns the arts of coercion and espionage, skills requiring a kind of finesse far different from the brute force essential on the battlefront. Accompanied by the beautiful prostitute Mara, the two men travel on a far-flung mission to infiltrate the highest levels of a royal court and to ensure that the rightful heir to Alexander comes out victorious. Kachel’s novel, the first in a planned series, is a thoroughly researched addition to the genre. The accounts of daily life in the Greek army are far from glorified; rather, Kachel presents a realistic portrayal of the violence inherent to the life of a soldier. Though the plot drags at times—specifically during battle scenes—once Andrikos is engaged by Vettias and the King’s Hand, the narrative takes off. Kachel does a wonderful job portraying the development of Andrikos from awkward, immature youth to confident and skilled operative. Kachel brings to life a huge cast of characters and does an admirable job fleshing them out, particularly Andrikos and the complicated Vettias. Thanks to evocative writing and impressive research, the world of the ancient Greeks feels closer than ever.

An educational yet adventurous novel that will leave readers eagerly anticipating the next installment.

Pub Date: Nov. 10, 2014

ISBN: 978-1502703378

Page Count: 368

Publisher: CreateSpace

Review Posted Online: Feb. 17, 2015

Kirkus Reviews Issue: March 15, 2015

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WE WERE THE LUCKY ONES

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Hunter’s debut novel tracks the experiences of her family members during the Holocaust.

Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Pub Date: Feb. 14, 2017

ISBN: 978-0-399-56308-9

Page Count: 416

Publisher: Viking

Review Posted Online: Nov. 21, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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THE TATTOOIST OF AUSCHWITZ

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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