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SO LONG AT THE FAIR

A true American tragedy, full of love as well as despair.

Following one crucial day in a marriage tottering on the brink, Schwarz (All Is Vanity, 2002, etc.) shows the fragility, complexity and danger inherent in love.

In a small Wisconsin community in 1963, Walter has sex with Hattie that she claims was rape but he claims was consensual. Hattie’s pregnant friend Marie wants her husband, rising golf star Bud, to defend Hattie’s honor. But Bud believes Walter’s version so Marie—who has her own motives for revenge—uses Hattie’s former boyfriend, bookish Clark, to turn Bud against Walter, son of Bud’s major backer. Skip ahead 40 years to Madison, Wis. Jon, the son of Bud and Marie, has been having an affair with Freddi, his co-worker at an ad agency, but he still loves his landscape architect wife Ginny, Hattie and Clark’s daughter. Jon and Ginny became high school sweethearts after Ginny was injured in an accident for which Jon has always felt responsible but which Ginny has always considered her own fault. With occasional splices back to 1963, the novel covers the crucial Saturday when Jon is deciding whether to stay with Ginny or leave their long marriage for Freddi. As a step toward reconciliation, he plans to take Ginny to a music festival they’ve attended in the past, but Ginny has mixed up her dates and made other, business appointments. Frustrated and hurt, Jon ends up at the festival with Freddi, who carries her own emotional baggage, including a stalker who thinks Freddi is his girlfriend. Ginny’s business appointment is with Walter, who readers quickly suspect may be her real father instead of overprotective, doting Clark. Misconnections and misunderstandings mount as the characters—not just Jon and Ginny, but their parents, their friends and acquaintances—make choices drawing them closer and closer to inevitable disaster. While the manufactured quality of the 1963 story line is a minor problem, Schwarz’s portrait of Jon and Ginny’s loving but damaged marriage is unsparing and heartbreaking.

A true American tragedy, full of love as well as despair.

Pub Date: July 8, 2008

ISBN: 978-0-385-51029-5

Page Count: 368

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2008

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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