Strong characters and plotting—including a nifty final twist involving Jane—maintain the interest in a rather slowly paced...

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THE EDGE OF THE EARTH

On a lighthouse off the northern California coast, a young woman discovers her husband’s true nature—and her own—in Schwarz’s latest thoughtful exploration of family ties (So Long at the Fair, 2008, etc.).

Trudy is no longer sure she wants the conventional future her parents have mapped out for her in Milwaukee circa 1897. What’s the point of the education she’s receiving at the Milwaukee College for Females if all she’s going to do with it is make a perfect bourgeois home for Ernst, the family friend earmarked as her husband since childhood? When his cousin Oskar comes to visit, Trudy finds that this intellectual, iconoclastic dropout expresses her own restlessness and impatience. The next thing she knows, she’s married and en route with Oskar to a post as assistant lighthouse keeper that he expects will give him time for his electrical experiments. Their only company at the isolated lighthouse is the head keeper, Mr. Crawley, his wife and four children, and Mrs. Crawley’s brother Archie. These bluff, terse folks are not the sort Trudy is used to, though she does become fond of the children after she’s enlisted to give them lessons, especially youngest daughter Jane. But Trudy soon realizes that Oskar’s ambitions are unfocused and aimless, plus he proves to be arrogant and selfish as well. When his attention is drawn to a mysterious native woman the Crawleys call Helen, who lives in a nearby cave, Oskar sees her as his ticket to an academic career and ruthlessly plans to carry off Helen to a university. The fatal climax makes good use of the lighthouse’s rugged natural setting, which is well-described throughout, as is Trudy’s gradual maturation from a rebellious girl fooled by fancy words to a resourceful woman who thinks independently and can see value in people unlike herself.

Strong characters and plotting—including a nifty final twist involving Jane—maintain the interest in a rather slowly paced narrative.

Pub Date: April 2, 2013

ISBN: 978-1-4516-8367-7

Page Count: 288

Publisher: Atria

Review Posted Online: Jan. 3, 2013

Kirkus Reviews Issue: Jan. 15, 2013

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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