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THE EDGE OF THE EARTH

Strong characters and plotting—including a nifty final twist involving Jane—maintain the interest in a rather slowly paced...

On a lighthouse off the northern California coast, a young woman discovers her husband’s true nature—and her own—in Schwarz’s latest thoughtful exploration of family ties (So Long at the Fair, 2008, etc.).

Trudy is no longer sure she wants the conventional future her parents have mapped out for her in Milwaukee circa 1897. What’s the point of the education she’s receiving at the Milwaukee College for Females if all she’s going to do with it is make a perfect bourgeois home for Ernst, the family friend earmarked as her husband since childhood? When his cousin Oskar comes to visit, Trudy finds that this intellectual, iconoclastic dropout expresses her own restlessness and impatience. The next thing she knows, she’s married and en route with Oskar to a post as assistant lighthouse keeper that he expects will give him time for his electrical experiments. Their only company at the isolated lighthouse is the head keeper, Mr. Crawley, his wife and four children, and Mrs. Crawley’s brother Archie. These bluff, terse folks are not the sort Trudy is used to, though she does become fond of the children after she’s enlisted to give them lessons, especially youngest daughter Jane. But Trudy soon realizes that Oskar’s ambitions are unfocused and aimless, plus he proves to be arrogant and selfish as well. When his attention is drawn to a mysterious native woman the Crawleys call Helen, who lives in a nearby cave, Oskar sees her as his ticket to an academic career and ruthlessly plans to carry off Helen to a university. The fatal climax makes good use of the lighthouse’s rugged natural setting, which is well-described throughout, as is Trudy’s gradual maturation from a rebellious girl fooled by fancy words to a resourceful woman who thinks independently and can see value in people unlike herself.

Strong characters and plotting—including a nifty final twist involving Jane—maintain the interest in a rather slowly paced narrative.

Pub Date: April 2, 2013

ISBN: 978-1-4516-8367-7

Page Count: 288

Publisher: Atria

Review Posted Online: Jan. 2, 2013

Kirkus Reviews Issue: Jan. 15, 2013

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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