This is an excellent place for the Stead novice to begin enjoying her artistry.
The guests of a modest hotel in postwar Switzerland reveal their unsettled lives on a ravaged continent in this reissue of a masterful 1973 work.
In the years following World War II, Stead was traveling around Europe with the married man she fell in love with in her native Australia in the late 1920s and whom she would wed in 1952. She had not yet been recognized for the brilliance of The Man Who Loved Children (1940), and she would publish three hefty novels before the decade ended—while chipping away at this comparatively lapidary book for some 20 years. It’s likely that her own transience, unwed status, and uncertain destination are reflected in the closely observed guests of the Hotel Swiss-Touring. Mrs. Trollope and Mr. Wilkins pose as cousins and occupy separate rooms, but everyone knows otherwise. He made his fortune in Malaya but wants to manage her finances without a trip down the aisle. Mrs. Blaise is kept medicated by her doctor husband, who lives in their Basel home and may dally with his housekeeper. The mayor of an unnamed Belgian town throws champagne parties for the hotel staff, gets electroshock treatments at a nearby clinic, and shows up at the hotel’s doors one night wearing only a hat and muffler. The American widow of an Italian prince brings her Sealyham terrier named Angel to dinner and encourages her to “sing.” There is constant fear that the Russians will invade Switzerland and take everyone’s money. All of that is but a sample. In this highly confined setting, Stead creates a busy mini-Europe of petty and poignant crises, or perhaps a molehill of The Magic Mountain.
This is an excellent place for the Stead novice to begin enjoying her artistry.Pub Date: May 16, 2017
ISBN: 978-1-925355-73-4
Page Count: 240
Publisher: Text
Review Posted Online: April 1, 2017
Kirkus Reviews Issue: April 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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