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LORDS OF DECEPTION

AN EARTHPILLAR NOVEL

A crowded but visceral epic fantasy with plenty of political intrigue.

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This debut novel sees a fragile peace imperiled by a cult of assassins.

In Wallevet Ministry, a territory of the Donovan Kingdom, Lord Minister Raymond Reimvick has been killed. This places the Empire Alliance—which keeps delicate peace between the Donovards and the Almerians to the north—at risk, because Raymond was the only one willing to negotiate for the treaty’s extension. The Donovard king, Erech Avaleau, is weak in mind and body. Many jockey for his throne, including his brother, Duke Brugarn. Fortunately, the loyal Maillard Valient, lord minister of Delavon Ministry, heads for Eglamour Palace to aid the king. In the palace, Princess Milisend learns to replace jewels with thimbles from her lover and master thief, Regaume. Her behavior doesn’t go unnoticed by Chief Magistrate Tronchet, who’s determined to catch her. Meanwhile, at the Perilune Academy, a cadet named Fetzer has failed to make squire yet again. Worse, he’s bullied by his classmates and mocked for keeping a journal. After going on a bloody rampage, he escapes Barres Ministry aboard the ship Meurden. He then meets members of the Order of the Candlestone. Led by the alchemist Arasemis, this secret group hopes to dissolve the kingdom using the arcane methods of the ancient tribe the Naren-Dra. Fuchs’ epic fantasy is a marathon of political maneuvers packed with assassins, deadly concoctions, and saber-rattling nation states. His penchant for using names like Rachard and Meriam summons a parallel medieval Europe. Readers, even fans of Game of Thrones, might gape at the volume of characters and territories in rotation. The focus inevitably falls on a handful of players, and the narrative thrill comes from the carefully plotted metamorphosis, for example, of young Arthan Valient as he goes from nobleman’s son to instrumental hero. With both feet primarily in the human realm, the author delivers his most fantastical creation: the Naren-Dra culture. The mountain natives use masks of “aglanrit wood…lined with gray gill ferns” to protect against the “alchemical mixtures” with which they dispatch their enemies. By the end of this series opener, the principal cast has undergone dramatic changes in anticipation of wider adventures.

A crowded but visceral epic fantasy with plenty of political intrigue.

Pub Date: Oct. 12, 2019

ISBN: 978-1-946883-00-1

Page Count: 593

Publisher: Loremark Publishing

Review Posted Online: Sept. 19, 2019

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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