by Christopher Harris ‧ RELEASE DATE: Oct. 29, 2003
Your basic Horatio Alger dressed up in eunuch drag.
Another fictional memoir from the author of Theodore (2001), this one about the adventures of a eunuch in ninth-century Constantinople.
Being kidnapped is rarely a way of getting ahead in the world, but it seems to have worked for narrator Zeno. The son of a well-to-do Roman colonist in Asia Minor, Zeno is captured by a marauding band of the Rus (Vikings) while still a boy. Promptly castrated and sold as a slave to an innkeeper in Constantinople, he grows up in a tavern on the outskirts of the capital. A Christian scholar named Constantine, interested in Zeno’s knowledge of the Rus dialect, purchases the boy and introduces him to the higher circles of the Church and Imperial Court; he eventually becomes one of the court eunuchs who handle the administration of imperial policy. This is not purely a desk job. One of Zeno’s first assignments is to secretly escort the young Emperor Michael III to various taverns and brothels, where he can amuse himself unhindered by the imperial prefects. Zeno’s success in this undertaking wins him favor from both the emperor and (more importantly) his uncle Bardas, an army general who has allied himself with Michael against the boy’s mother, Empress Theodora. Not all the intrigues are political. The recent success of Muslim invaders at the empire’s frontiers has led some churchmen to speculate that God is punishing Christians for the idolatry of icons. The possibility of civil war looms as Basil the Usurper raises an army and lays claim to the throne. Who said anything about turmoil? This is just daily life in Byzantium. Author Harris knows his territory well and succeeds in making the fairly complex politics of the Eastern Empire intelligible and interesting to neophytes, but the story in the foreground is pretty shopworn.
Your basic Horatio Alger dressed up in eunuch drag.Pub Date: Oct. 29, 2003
ISBN: 1-903517-03-6
Page Count: 358
Publisher: Dedalus
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2003
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BOOK REVIEW
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Madeline Miller ‧ RELEASE DATE: April 10, 2018
Miller makes Homer pertinent to women facing 21st-century monsters.
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A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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