A solid, entertaining, and unnerving series ending.
Sacramento detectives inch closer to a serial killer—or killers—in the conclusion to Booth’s (Crimson Park, 2016, etc.) mystery trilogy.
The On-going Investigation Division handles cold cases for Sacramento PD. The current case for detectives Jake Steiner and Stan Wyld and assistant Mallory Dimante is a missing person. Or it was until they find the mutilated remains of the missing movie producer, along with someone else’s. As the investigation progresses, OID links at least one individual to the producer and Olive Park, an earlier cold case. Said individual threatens one of the detectives, and Mallory, after watching footage of the incident, determines the assailant had demanded a bear. This must be a teddy bear belonging to 7-year-old Jessie Cooper, but she and her older brother, Michael, both also connected to Olive Park, ran away from Child Protective Services. There is, however, a deeper mystery. The car in which cops found the bodies contains a fingerprint belonging to Anna Chase, an 11-year-old in New Jersey. As OID struggles to make sense out of the evidence, the trio learns of another related murder and adds people to their growing suspect list. Behind the murders lies a sinister scheme that will put at least one OID member in danger. Reading Booth’s trilogy from the beginning is a necessity. While the third installment incorporates the occasional recap, plot twists, characters’ surprise returns, and deaths are more shocking with knowledge of Books 1 and 2. The author tidily wraps up the convoluted story, most of it stemming from the preceding installments, by tying off loose ends and providing clear motivations. The murder mystery takes precedence, but nuanced relationships are a bonus, from Michael’s protecting Jessie to a possible romance between Jake and Mallory. Much of the book is unsettling. Corresponding atmospheric scenes include searching a small passageway with an odor that hits the back of Mallory’s throat, “like biting on aluminum foil, with a bouquet of rust.”
A solid, entertaining, and unnerving series ending.Pub Date: Jan. 7, 2019
ISBN: 978-0-9838329-3-5
Page Count: 300
Publisher: Time Tunnel Media
Review Posted Online: Feb. 20, 2019
Kirkus Reviews Issue: April 1, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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