An aviation page-turner that delivers a diverse and well-developed cast of characters, nonstop action, and unrelenting...
Set in the late 1980s, a debut novel chronicles the unforeseen consequences of an ex-convict’s attempt to hijack a 747 flight from San Francisco to New York City.
Capt. Don Webber, a veteran aviator who has been married for 26 years, is looking forward to piloting a 400-plus–passenger Boeing 747 to JFK airport. It’s not so much the long flight that excites him as it is his scheduled rendezvous with his most recent lover, a sexually adventurous Pan Am flight attendant. But his plans of infidelity are thwarted by an ex-con named Guillermo Villas Guerrero, who has become entangled in an ill-conceived plot to hijack a plane to Cuba. Guerrero has mixed feelings about the scheme (“One moment, he felt the hijacking was going to be a snap, a piece of cake. The next moment he was terrified with recurring and rampant visions of failure. The result of his dreamed failure was always the same. He would fail. He would be caught. He would go back to prison”). Once in the air, he begins unraveling emotionally and eventually takes a cabin attendant hostage with a graphite handgun that he smuggled aboard, forcing his way into the cockpit. The situation devolves quickly from there. This thriller is comparable to the air disaster movies of the ’70s (Airport, Airport 1975, etc.). Stott adeptly creates three-dimensional and believable (albeit a bit stereotypical) characters whose various struggles and motivations help power the story forward. Director of security operations at San Francisco airport Robert Burns and senior dispatcher Frankfurt Lazlo Fielding come alive on the page, giving readers a glimpse into the pressure-packed and bureaucratic nightmare that working with the Federal Aviation Administration can be. Another of the novel’s strengths is paradoxically a weakness as well. The author is highly knowledgeable about aviation, and that expertise initially brings an undeniable authenticity to the story. But there are numerous sequences in which he goes into too much detail (such as explaining a phugoid oscillation curve), and these collectively detract from the tale’s narrative flow and negatively affect the momentum. But these issues have little impact on the overall reading experience.
An aviation page-turner that delivers a diverse and well-developed cast of characters, nonstop action, and unrelenting tension; buckle up and prepare for a wild ride.Pub Date: Sept. 17, 2014
ISBN: 978-0-692-29053-8
Page Count: 408
Publisher: Black Thunderbird Press
Review Posted Online: April 14, 2017
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
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