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SAMUEL PEPYS

THE UNEQUALLED SELF

A fine work of literary and cultural history.

A sparkling, wonderfully readable biography of the English official less well known for his contributions to good government than for his salacious, achingly self-doubtful diaries.

Plenty of tidbits from those diaries make their way into this thorough, richly detailed portrait by English writer Tomalin (Jane Austen: A Life, 1997, etc.): on one page we find Pepys (1633–1703) chasing after a servant girl and castigating himself for his success, on another recording a moment of sexual pleasure with which he graced his long-suffering wife—and then worrying whether she might “get a trick of liking it,” as no seemly woman should in those days. Sex was much on Pepys’s mind throughout his adult life, as was the attendant guilt; and there many biographers have left the matter. Tomalin, however, brings us the rest of Pepys’s story, notably his accomplishments as a businessman and naval administrator, one of the chief architects of the royal fleet that would soon after his time extend England’s empire to every corner of the world. Pepys entered the civil service in an era when officials were expected to enrich themselves at the public expense; indeed, Tomalin writes, one of the first bits of advice he received from a sea captain concerned “how to fiddle his expenses by listing five or six non-existent servants when he went on board and claiming pay for them all.” Though Pepys earned a fortune himself while in service, he conducted himself honorably and made noteworthy reforms, insisting that the navy’s accounts be squared and suppliers paid what they were owed (and nothing more). He also managed, more than once, to fall on the wrong side of events, backing King James, for example, in his struggle to keep the crown; forced into retirement, he spent his days with the likes of John Dryden talking about the works of Chaucer, his nights revisiting his remarkable diary—the product, Tomalin writes, “of both the most ordinary and the most extraordinary writer you will ever know.”

A fine work of literary and cultural history.

Pub Date: Nov. 14, 2002

ISBN: 0-375-41143-7

Page Count: 448

Publisher: Knopf

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 1, 2002

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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