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MONSIEUR DE BRILLANCOURT

In her American debut, British writer Harkness offers an uneven fairy tale of unrequited love. Once upon a time, in a remote section of southeastern France, lived an elderly Prince Charming in an ugly old chÉteau. Alone except for his maid and cook, Virgil de Brillancourt is actually quite happy. He has his exceptional library, his collections of insects and magnifying glasses, his beautiful garden, and the occasional companionship of numerous amiable relatives. Although he is a handsome man and a very fine dancer, M. de Brillancourt has never married; at 69 his romantic memories center on the fairy lights from summer balls given for his sisters. The only thing he pines for is children: He misses the ``patter of tiny feet''; he longs to tell eager little ones about the ongoing battle between the wasps and stag beetles that live in the trees around his home. In order to acquire some children, M. de Brillancourt builds a swimming pool and rents out part of his chÉteau to a young Englishwoman and her family. One day, after seeing his tenant in only the bottom half of her bikini, M. de Brillancourt falls in love. Radiant with happiness, he celebrates his belatedly awakened passion by buying a red Lamborghini. He becomes gregarious and, at the first party he has ever given, he waltzes with his true love. But it's his only fling. When she returns to London, he goes mad. A comic subplot in which M. de Brillancourt's relatives try to protect him from suspected alcoholism and cross-dressing seems contrived to flesh a short story into a novella, and his fatal depression seems too fast a wrap-up for this lovely man. At its best, a charming sketch of a shy eccentric with mouthwatering vistas of the Ardäche. But in the end, the plot and charm seem force-fed.

Pub Date: Feb. 1, 1995

ISBN: 0-312-11854-6

Page Count: 208

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1994

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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