From the British author of Monsieur de Brillancourt (1994) comes this aristocratic, sometimes inaccessible muddle through which two memorable characters emerge. The eccentric Imogen Holt (from Manta, Italy) and the irrepressible Jessica Grantsby-Harte (a diplomat's daughter who has lived all over the world) are among the only non-Catholic students at the unbearably strict Convent of the Immaculate Conception in England. As outcasts, they strike up a lifelong friendshipdescribed here by Imogen in a series of flashbacks framed by a sketchy modern-day narrative about a middle-aged Imogen and Jessica clearing out an attic full of letters, journals, and memories. After the convent and the Sorbonne, the girls are rarely in the same country at the same time, but they make equally bad decisions when it comes to love: Imogen loses her heart to the worldly Anthony, then catches him locked in an embrace with her twin brother, Simon; and Jessica marries the irascible Dermot, a young man who later drowns in a drunken accident. A triply brokenhearted Imogen (having lost Anthony, Simon, and Jessicato Dermot) marries the ever-unfaithful Enrico, a suitor from her Paris days, and moves to Washington, D.C., for his career. Through it all, Imogen's insightful grandmother tries to guide the impulsive pair, but it takes the wisdom gained from their own mistakes to make Imogen and Jessica realize their shared destiny. Although their conclusion seems motivated more by a mutual hatred of the men who've used and abused them than by any genuine passion, the soulmates become lovers and live happily-ever-after with their respective offspring in Imogen's childhood home. Unbearably stilted in spotscharacters speak in lengthy monologues, frequent passages in several foreign languages prove a daunting turn-off, and the intended-to-shock finale is coyand yet, overall, Imogen and Jessica are an engaging pair.
Pub Date: Oct. 1, 1995
ISBN: 0-312-13611-0
Page Count: 448
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1995
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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