A sturdy sports novel with much greater appeal.
A coming-of-age novel about a young man’s ambition to play Major League Baseball and the lifelong friendship that guided him along the way.
Baseball: our national pastime; a game of tradition and history that recalls a simpler era. It’s also a billion-dollar industry that showcases celebrity talent. Snellgrove, in his debut, looks deep into the psychology of the game’s players as they fight for a big-league position. Ultimately, it’s a novel about the myth of boyhood dreams, the limitations of ability and the realization that wanting it all can be too much. The unnamed protagonist begins his story by recollecting his earliest competitive desires, which were fulfilled by the challenges he and his best friend, Danny, waged for nearly any activity—at times risking their lives. The two boys grow up, however, and learn that the childish games of their past have now perfectly primed them for higher-level sports. While Danny excels at both football and baseball, he grows despondent at being only 5 feet 7 inches; he knows scouts will never notice him. But the narrator becomes a standout ball player, and his skill is matched by his stature; he’s drafted into the minor leagues right out of high school. From this point on, the two men grow distant as their competitiveness leads them into different lives: Danny becomes a local football coach, and the narrator continues to persevere through grinding but successful minor league seasons. The narrator feels like Danny is just as capable as he is of playing at this level, but he also recognizes his own talent and fortune, which doesn’t make success any easier. Snellgrove deftly illustrates the pressures on ball players vying for select spots, even on a minor league team. In one particularly heartrending scene, the narrator succumbs to his cutthroat competitive nature by taking testosterone supplements to give him an edge. Solid character-building makes such real-life decisions that much more believable and tragic.
A sturdy sports novel with much greater appeal.Pub Date: April 28, 2012
ISBN: 978-0979788505
Page Count: 288
Publisher: Loaded Press
Review Posted Online: July 9, 2012
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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