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PILLS, THRILLS, CHILLS, AND HEARTACHE

ADVENTURES IN THE FIRST PERSON

If 300-plus pages of beautiful boys, speed freaks in the Castro, girlie-girl orgies, and Allen Ginsberg’s dancing boyfriend...

“Sex, Drugs and Kink in the Bay Area”: an alternate title for this largely unexceptional anthology.

All 40 pieces are told in first person, though this is hardly a distinguishing feature. A far more apparent link uniting the collection’s content and context is sex; the majority of the tales focus on it, and the majority of it is queer. The compendium successfully creates a wonderfully rich portrait of queer subculture, but few of the individual stories are particularly grand examples of the short form. There are exceptions: Cara Bruce’s “Love Boat and Lingerie” offers a comic and achingly realistic account of teenage mischief, as three nice suburban girls ditch class, smoke some PCP, and attempt to steal high-end bras from the local Macy’s. In “E.I.P. BID” (Early Intervention Program Twice a Day), by Leo Blackwater, a doctor tells a man with HIV to go off his meds for a week in the hopes of curing his fatigue. This simple act revitalizes him and makes him forget about dying (“I do not rush places”) until the week is up and he resumes his pills. Kathe Izzo’s “The Black Hand” is a brief but powerful account of a wife and mother who leaves her husband for a woman, then finds herself in court with a restraining order against her from her new lover. One of the best tales is editor Tea’s “Paris: A Lie,” about a confusing morning-after involving two girls in a bathroom, missing underwear, and a regrettable promise to sell some much cherished Xanax. It has what a lot here lacks: distinctive prose and a wise sensibility on some rather raunchy topics.

If 300-plus pages of beautiful boys, speed freaks in the Castro, girlie-girl orgies, and Allen Ginsberg’s dancing boyfriend sounds like your kind of ride, then get on—but expect some bumps.

Pub Date: Feb. 1, 2004

ISBN: 1-55583-753-0

Page Count: 328

Publisher: Alyson

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2004

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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