A short, bloody, and energetic military sci-fi dispatch.
In Gleason’s (Molters, 2015, etc.) new sci-fi novel, a military vanguard, tasked with preparing the Earth-like world of Tuhrelevim for colonization, finds lethal and relentless opposition in the form of vicious packs of predators.
The planet Tuhrelevim is the only extraterrestrial location ever discovered by mankind to be habitable for humans. A convoy of colonization ships, full of wealthy elites, are already on their way to settle there as a haven from an apparently tapped-out Earth. But a group of military troops has preceded them to investigate why previous expeditions, including those of automated probes, have disappeared. Straightaway, the soldiers find the culprits: the planet’s alpha-predator land species, a vaguely lionlike creature that the troops call a “ravager.” The beasts determinedly and relentlessly attack in force, killing any interloper onto which they can lock their jaws and claws. Meanwhile, Nev, an army captain with mixed feelings about the whole colonization project, discovers a high-level coverup that shows that the situation is even worse than they imagine. Although Earth people possess awesome destructive technology, the absolutely fearless ravagers have a high level of intelligence and an organized battle strategy. Gleason has film studies and movie projects on his resume, and his lean, hyperkinetic novel strongly recalls celluloid sci-fi monster-fests in the militaristic vein of Starship Troopers (the 1997 Hollywood version far more than Robert A. Heinlein’s original 1959 book) and director James Cameron’s 1986 film Aliens. The novel’s terse characterizations and back story are barely more than is necessary to propel the fight scenes forward; there isn’t even time for a Star Trek–like debate about whether the Homo sapiens are better or worse than the ravagers. As in one of Cameron’s other sci-fi epics, Avatar (2009), it’s clearly the humans who are the unsympathetic alien invaders.
A short, bloody, and energetic military sci-fi dispatch.Pub Date: March 24, 2015
ISBN: 978-1-5239-7240-1
Page Count: 134
Publisher: CreateSpace
Review Posted Online: Aug. 4, 2017
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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