What might be—and occasionally is—touching is undercut by McAdam's indulgences in a clankingly poetic style.
Canadian novelist McAdam's third book (Fall, 2009, etc.) begins with Walt and Judy, a loving, childless Vermont couple beset by the feeling that they don't have sufficient outlets for the love they have to give.
One day in 1972, Walt comes across an article in Life about chimpanzees conversant in sign language, and soon he's gone off to a traveling circus in search of a cross-species surrogate son. Alongside the story of Walt and Judy and Looee, the baby chimp they acquire and adopt—from the beginning there is a presentiment of tragedy—McAdam places a parallel narrative set at a primate research institute in Florida, where, for decades, the intricate cultures of chimpanzees have been documented and their formidable linguistic and problem-solving abilities have been developed and celebrated. Here, too, the crux of the story has to do with loneliness and empathy; people (and nonpeople) are to be marveled at for their ability and willingness to offer fellow creatures the balms of love, compassion and friendship, and McAdam doesn't flinch from the workings of cruelty and brutality, either. There's daring, and some pleasure, in the switches of point of view and especially in McAdam's effort to come up with a subtle, sensitive way to inhabit the chimpanzees and approximate their version of English idiom. Alas, the book founders on McAdam's human idiom, which tends all too often toward abstraction and glib faux profundity: "Walt was in love, and held close the fact that there is nothing more natural or right than buying the world for the woman of your dreams. Try to name the value of that smile to Walt and his life-worn heart."
What might be—and occasionally is—touching is undercut by McAdam's indulgences in a clankingly poetic style.Pub Date: Sept. 17, 2013
ISBN: 978-1-61695-315-7
Page Count: 336
Publisher: Soho
Review Posted Online: June 19, 2013
Kirkus Reviews Issue: July 1, 2013
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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