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THE WORLD'S THINNEST FAT MAN

A strange, witty, and not always likable protagonist headlines this assemblage of diverting tales.

Taylor’s collection of short stories revolves around a Kentucky-born man’s life of misadventures and failed romances.

Josey stops by a New Orleans voodoo shop in “The Woman Who Wouldn’t Talk, the Man Who Wouldn’t Listen.” He’s there specifically to see Madame LaBonne, hoping she can do something about his peculiar circumstances—his love, Sally, has run off with another woman. This is just one of 18 stories featuring Josey throughout his life, set in such places as West Palm Beach and his hometown of Lexington, Kentucky. Life has its ups and downs—mostly comical downs—in this collection. Josey winds up on a blind date in the story “Faithful Companion,” in which a woman named Sarah takes him to the dentist’s office next to her apartment. She promises him a surprise, but the dentist’s unforeseen arrival may upend whatever she has planned. Josey gradually develops into the “world’s thinnest fat man”; for the socially inept Josey, the appellation represents the “hot air” he tends to spew. Sometimes he’s a spectator in tales that focus on other characters, from a co-worker who tries to kick alcohol by switching to heroin to the University of Kentucky campus barber who vows to take revenge on whoever kicked a dent into his Cadillac convertible. “Meanwhile on Limestone Street: Time, Mass, and Energy Masquerade as Free Will” best exemplifies this collection’s theme and central character, with its titular street in Lexington sparking memories of ex-lovers and familiar spots, including the U.K. bookstore where Josey was a trade book buyer for five years.

Taylor dishes out much quirkiness and many laughs in this book. One story finds Josey determined to identify the “Phantom Tipper” who leaves waiters $500 bills, while in another story, on a friend’s advice, he makes a date with a woman in Florida nearly a month in advance. Not all the humor lands, however. Josey seems to revel in being “politically incorrect,” which entails intermittent uses of racial and homophobic slurs in what are meant to be humorous ways. Standouts among the stories’ supporting casts include Madame LaBonne and some would-be thieves in her shop; Darlene, an ex whose mere memory evidently flusters Josey; and an unexpectedly easygoing stranger at a Florida bar. The stories also delve into serious subject matter; “Alpha and Omega” shines a bright light on Catholicism, followed by “The Evening Star Is Not a Star,” in which Josey’s pal Jeff proposes a risky dive off a pier at high tide. Taylor’s writing is consistently clever, and he occasionally plays with narrative perspectives and timelines. Josey doesn’t always narrate the stories. In “Meanwhile,” an omniscient narrator relays bits and pieces of Josey’s life and, at one point, apparently coaxes him into action: “Hold up, Josey. Could you trot back a few steps? Pretty please?” Similarly, “Judas” opens with his first-person perspective, which almost instantly shifts to Josey imagining the point of view of young Leslie, a girl he once spent a Saturday with tracking down a local peacock.
A strange, witty, and not always likable protagonist headlines this assemblage of diverting tales.

Pub Date: Jan. 27, 2024

ISBN: 9781604893830

Page Count: 200

Publisher: N/A

Review Posted Online: March 15, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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