Smith delineates his large cast concisely and writes with verve and style about campus life. But his unwieldy debut...
A group of midwestern college students exploring remote Lues Creek Canyon discovers the corpse of a naked woman. Police chief Colt Fellows efficiently identifies the departed as trashy Josie Fortune and the killer as her no-account husband Jack Hazard. Twenty years later, English scholar DJ (Josie) Fortune, the murdered woman’s daughter, returns to take a teaching position at Lues State. Raised by foster parents far from the scene of the crime, Josie has little knowledge of the murder or the incarceration of her father, who is back in society after serving his sentence. Nor is Josie, absorbed in her new teaching duties and English Department gossip, particularly curious. But the past comes calling in the form of anonymous threatening notes whose form and syntax match a message carved on the body of Josie’s mother a generation ago. Josie pores over old newspapers, tracks down some of the witnesses, and consults Colt Fellows, who eventually discloses that Jack wasn’t the killer after all. Thenceforth the plot takes surprising, albeit awkward, directions, each with its own collection of suspects. Jack lives as a mountain man with his brother Virgil, who at one point kidnaps Josie. Surviving lawmen from the old probe reveal hidden agendas. The students who found the body try to protect long-buried secrets. Even Josie’s colleagues evince suspicious behavior and irrational grudges.
Smith delineates his large cast concisely and writes with verve and style about campus life. But his unwieldy debut stretches credibility at every turn.Pub Date: Sept. 27, 2002
ISBN: 0-8093-2480-6
Page Count: 358
Publisher: Southern Illinois Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2002
BOOK REVIEW
BOOK REVIEW
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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