In Overholt’s historical mystery, a young female doctor in early-20th-century New York must solve a bloody murder for which she feels partially responsible.
In 1905 Dr. Genevieve Summerford finished third in her class at John Hopkins only to have her father disapprove of her decision to run a psychology research class for women with emotional trauma—a concerted effort in an emerging field to help people better their lives and prove that thoughts and feelings can influence body functions and health. Eliza Miner, a woman in Genevieve’s study group, confides that she’d had a baby as a teenager that was taken from her by her doctor. Discussing the incident and options of confronting the doctor regarding the location of the now 20-year-old child, Genevieve’s advice is misconstrued, and the following day the doctor is found brutally murdered—with Eliza standing over him covered in blood. Desperate to prove the innocence of her patient, find the real killer and salve her guilt for the inadvertent part she may have played, Genevieve must overcome a mountain of circumstantial evidence, confront a very powerful and influential family and subvert the stubbornness of the investigating officer who refuses to look any further than Eliza Miner. When Genevieve runs into Simon Shaw, a sordid reminder of her painful past, she realizes that the man who broke her heart may be the only one who can give her hope. Genevieve’s story is compelling, from her difficult childhood that encompasses the travesty of bearing the blame for the death of her younger brother to the tragedy of losing her innocence to a naive teenage indiscretion, with both bearing equal weight of guilt. Though she longs for the acceptance and forgiveness of her father, Genevieve’s unwavering determination to her profession allows her to remain steadfast and true. Replete with formal gowns and annual winter balls, Overholt’s novel successfully captures the feel and tone of 20th-century New York in a deeply pleasing, nostalgically modern way. A solid plot pulls the reader in with little effort, while strong, flowing prose and captivating characters provide the incentive to remain to the very last page. In Dr. Genevieve Summerford, Overholt has beautifully rendered a symbol of strength and perseverance in a time of severe gender bias. A well-paced, 20th-century whodunit full of dark secrets and fascinating intrigue that easily keeps pace with 21st-century standards.
Pub Date: Jan. 13, 2012
ISBN: 978-0984841301
Page Count: 454
Publisher: Copper Bottom
Review Posted Online: Dec. 23, 2011
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.
Hilderbrand’s latest cautionary tale exposes the toxic—and hilarious—impact of gossip on even the most sophisticated of islands.
Eddie and Grace Pancik are known for their beautiful Nantucket home and grounds, financed with the profits from Eddie’s thriving real estate company (thriving before the crash of 2008, that is). Grace raises pedigreed hens and, with the help of hunky landscape architect Benton Coe, has achieved a lush paradise of fowl-friendly foliage. The Panciks’ teenage girls, Allegra and Hope, suffer invidious comparisons of their looks and sex appeal, although they're identical twins. The Panciks’ friends the Llewellyns (Madeline, a blocked novelist, and her airline-pilot husband, Trevor) invested $50,000, the lion’s share of Madeline’s last advance, in Eddie’s latest development. But Madeline, hard-pressed to come up with catalog copy, much less a new novel, is living in increasingly straightened circumstances, at least by Nantucket standards: she can only afford $2,000 per month on the apartment she rents in desperate hope that “a room of her own” will prime the creative pump. Construction on Eddie’s spec houses has stalled, thanks to the aforementioned crash. Grace, who has been nursing a crush on Benton for some time, gives in and a torrid affair ensues, which she ill-advisedly confides to Madeline after too many glasses of Screaming Eagle. With her agent and publisher dropping dire hints about clawing back her advance and Eddie “temporarily” unable to return the 50K, what’s a writer to do but to appropriate Grace’s adultery as fictional fodder? When Eddie is seen entering her apartment (to ask why she rented from a rival realtor), rumors spread about him and Madeline, and after the rival realtor sneaks a look at Madeline’s rough draft (which New York is hotly anticipating as “the Playboy Channel meets HGTV”), the island threatens to implode with prurient snark. No one is spared, not even Hilderbrand herself, “that other Nantucket novelist,” nor this magazine, “the notoriously cranky Kirkus.”
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.Pub Date: June 16, 2015
ISBN: 978-0-316-33452-5
Page Count: 384
Publisher: Little, Brown
Review Posted Online: May 20, 2015
Kirkus Reviews Issue: June 1, 2015
PERSPECTIVES
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