by Cynthia Grady & illustrated by Michele Wood ‧ RELEASE DATE: Feb. 15, 2012
A powerful grouping of thought-provoking poems and brilliantly designed paintings.
Enslaved African-Americans voice the weariness, drudgery, agony and dreams of their lives in a beautiful and informative collection of poetry and paintings.
In her debut title, Grady structures free verse to mirror the patterns of traditional American quilt blocks, variations on a square. In the poems, each 10 lines with 10 syllables per line, the words and thoughts read seamlessly and build to heart-rending finales. They speak of daily lives made bearable by the words of a preacher, the joys of singing and the quiet rhythms of stitching. A woman bent over her basket of scraps can see her “troubles fall / away.” A man calming a horse can find a “patchwork field of freedom.” Children outside a school building scratch out the alphabet because “[i]t gives us hope; it sings us home.” Each poem is accompanied by brief background information on slavery and on the quilt-block pattern that inspired it. Full-page paintings by Wood, a Coretta Scott King Illustrator Award winner, pulsate with vibrant colors and intensity. Each incorporates the quilt pattern that served as Grady’s inspiration into a collage-styled portrait. Readers will find themselves poring over the many details in the art and connecting them with the verses.
A powerful grouping of thought-provoking poems and brilliantly designed paintings. (author’s note, illustrator’s note, bibliography) (Poetry. 10 & up)Pub Date: Feb. 15, 2012
ISBN: 978-0-8028-5386-8
Page Count: 34
Publisher: Eerdmans
Review Posted Online: Dec. 19, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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by Cynthia Grady ; illustrated by Amiko Hirao
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by Rajani LaRocca ‧ RELEASE DATE: Feb. 2, 2021
An intimate novel that beautifully confronts grief and loss.
It’s 1983, and 13-year-old Indian American Reha feels caught between two worlds.
Monday through Friday, she goes to a school where she stands out for not being White but where she has a weekday best friend, Rachel, and does English projects with potential crush Pete. On the weekends, she’s with her other best friend, Sunita (Sunny for short), at gatherings hosted by her Indian community. Reha feels frustrated that her parents refuse to acknowledge her Americanness and insist on raising her with Indian values and habits. Then, on the night of the middle school dance, her mother is admitted to the hospital, and Reha’s world is split in two again: this time, between hospital and home. Suddenly she must learn not just how to be both Indian and American, but also how to live with her mother’s leukemia diagnosis. The sections dealing with Reha’s immigrant identity rely on oft-told themes about the overprotectiveness of immigrant parents and lack the nuance found in later pages. Reha’s story of her evolving relationships with her parents, however, feels layered and real, and the scenes in which Reha must grapple with the possible loss of a parent are beautifully and sensitively rendered. The sophistication of the text makes it a valuable and thought-provoking read even for those older than the protagonist.
An intimate novel that beautifully confronts grief and loss. (Verse novel. 11-15)Pub Date: Feb. 2, 2021
ISBN: 978-0-06-304742-6
Page Count: 224
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: Nov. 26, 2020
Kirkus Reviews Issue: Dec. 15, 2020
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by Rajani LaRocca ; illustrated by Neha Rawat
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by Rajani LaRocca & Chris Baron ; illustrated by Sam Dawson
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by Rebekah Lowell ; illustrated by Rebekah Lowell ‧ RELEASE DATE: May 10, 2022
A moving, age-appropriate, and convincing portrayal of family resilience after trauma.
Fleeing domestic abuse, a girl and her family begin a hard but hopeful journey to healing.
Eleven-year-old Lacey is shocked that Mama has called the police to take them, along with Lacey’s 4-year-old sister, Jenna, to safety—and unhappy at leaving the family dog behind. The girls are fearful and confused; Daddy’s rules prohibit leaving the house without him. Though he is put in jail, feeling safe will take time. Moving to transitional housing brings challenges. Lacey, home-schooled, has never had a friend. Daddy’s control over the family was absolute even when he wasn’t home to enforce it. Now Mama must learn to make her own decisions. Initially, Lacey misses Daddy’s rules, terrifying but known; she’s anxious at having new rules to follow, though breaking her father’s rules doesn’t bring retribution. With community help and support, the three timidly expand into their new life. Mama revives her artistic ambitions and, gaining strength, nurtures her daughters’ artistic gifts. Reading about Rachel Carson, Lacey finds life lessons in the natural world: observing how a sunflower grows from a seed and how a winding creek finds its own way. Lowell, who in an author’s note describes herself as a domestic-abuse survivor, focuses here on healing; the abuse is portrayed retrospectively—fitting, given her audience. Like her gentle illustrations, the verse format suits her story, a mosaic of small epiphanies that cumulatively chart a path from darkness into light. Characters’ race and ethnicities aren’t described explicitly.
A moving, age-appropriate, and convincing portrayal of family resilience after trauma. (Fiction. 10-14)Pub Date: May 10, 2022
ISBN: 978-0-593-10961-8
Page Count: 192
Publisher: Nancy Paulsen Books
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
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by Rebekah Lowell ; illustrated by Rebekah Lowell
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