Spiritual fiction, as in The Pilgrim's Progress and Tolstoy's moral tales, can be sublime. In less imaginative works, such as The Celestine Prophecy and this debut novel, fiction turns to fortune cookie. Hunt (Learning to Learn: Maximizing Your Performance Potential, 1992, not reviewed) is an international business consultant, motivational speaker, and cofounder of a learning institute. Her present work tells of a band of 25 luminous beings as they are trained to take on human life and help rebuild human conditions on a spiritual foundation. At first completely ingenuous, each sentience comes to have a special quality: ``Zendar is centered and strong. Justin is feisty. Ashley is insightful. Jaron is open-minded and resourceful, and êlan brings enthusiasm to every adventure.'' They are led singly or in pairs through the Window of Time into simulations of Earth-life, where they have confrontations that generally dismay but eventually strengthen them. The whole band then experiences them at once, and discussion follows each simulation, while other learning devices include the nine Matos Mantras (willingness prayers) that the beings must remember and use. The Bunyanesque central device is that the beings should attempt to reach and climb Mount Akros to find the Cave of Compassion, where the peace and wisdom essential to spiritual life will be found. Occasionally, a being meets up with a difficulty faintly resembling the depravity of human life that causes prisons to be built (the climax, surprisingly, turns on a genetic defect: club feet), but a focus on inner strength and compassion sees the temporarily beleaguered being through despondency. The Message: There are two purposes to human life, one planetary (``to live the law of unconditional love in action'') and one personal (to use love in fulfilling minor missions that contribute to the whole of the human family). All you need is love, as John Lennon told us in three minutes. Is there an audience? Does care of the soul sell books? Are you kidding?
Pub Date: Oct. 3, 1996
ISBN: 0-7868-6177-0
Page Count: 384
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1996
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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