An inventive work of alternate history.
A novel imagines a time jump that places World War II 100 years earlier.
It is 1942, and Jim Bridger Edwards—a former carnival performer and current captain in the U.S. Army Corps of Engineers—has been sent to Soviet-occupied Iran to shore up the Trans-Iranian Railway for military use. “I get my job done,” muses Jim (who harbors multiple personalities), “so the army doesn’t ask too many questions about how sane I am. And they let me play with high explosives.” His secretive Soviet hosts are trouble enough, but when the sun suddenly moves backward in the sky and people and vehicles—or parts of them—begin to disappear, Jim realizes he has much larger problems to deal with than an old railroad. An invisible, rubbery wall has descended across a whole section of the globe, plunging everything within its perimeter back to an earlier time period. Along with Mariya, a Russian woman of dubious loyalties, and Loki, a mysterious man with some knowledge of time travel, Jim must make his way through Europe to put a stop to the Nazi war machine. In this new reality, the United States is even more vulnerable than it was in the previous one. If Hitler’s armies reach North America, they won’t be met with the technology from 1942—but rather from 1842. Cozort (Wrath of Athena, 2016, etc.) writes in a breathless, accessible prose that gallops through the story with little pause. Although the sci-fi premise is rather complex, he unspools it with a directness and ease that rarely leaves the reader confused. The mix of time periods—with particular attention paid to the armaments of each—should please fans of military history, and the author’s imaginative blending of worlds will likely appeal to the broader speculative audience. Peripheral characters feel a bit flat, but Jim’s psychological state remains complex and compelling. The first book in a planned trilogy, it leaves off at a place that should assuredly hook readers for the next installment.
An inventive work of alternate history.Pub Date: April 4, 2017
ISBN: 978-1-5451-1823-8
Page Count: 224
Publisher: CreateSpace
Review Posted Online: May 29, 2017
Review Program: Kirkus Indie
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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