A complex work that offers an intense look at a possible future.


An ambitious SF novel about climate change and technology addiction. 

In 2039 Japan, Yoshi Goto is starting a new job as a shopping mall Santa Claus. Two years ago, he was the lead in the highly anticipated film One Man Dreaming, but he was so difficult to work with that the Santa gig is the only one he can get to prove that he’s reliable. After accidentally knocking down a child and crashing the sleigh into a Christmas tree, Yoshi is not only fired on the spot—he’s also facing a potential lawsuit. As he walks home in the rain, a driverless “smart car” pulls alongside him with an automated message telling him that the CEO of Maya Technologies, Tyler Gray, wants to meet with him. Gray is going to use his new technology, the Maya Lenz, to create an immersive virtual environment where people can relive their favorite parts of movies, enjoy role-playing games, and more. One of the main features of the new Maya District is that it will feature the main character from One Man Dreaming. All Yoshi has to do is spend a few weeks acting like his character, so that Maya’s computers can learn how to be like him. But as Yoshi explores the outside world with and without his new Lenz, he discovers that there’s more to the city, and the people in it, than he ever imagined. Lutz (Amanojaku, 2016, etc.) has created a compelling future world that’s not very much unlike our own. The effects of climate change, for example, are shown to be very real, causing massive changes to Japan’s coastlines, and its citizens are clearly hiding behind technology to escape this terrible reality. The only way in which the book falls a bit flat is in how it focuses on the worldbuilding—and on cool new gadgets—to such an extent that it takes too long to get to the heart of the story. At times, so much is thrown at readers that it may be difficult for them to care enough about particular characters or plot points that prove important later. 

A complex work that offers an intense look at a possible future.

Pub Date: Oct. 14, 2019

ISBN: 978-0-9946275-5-1

Page Count: 466

Publisher: Self

Review Posted Online: Dec. 17, 2019

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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