A period romance masquerading as a metaphysical thriller disguised as a buddy movie, this latest novel from Simmons (Lovedeath, 1993, etc.) bridges two centuries and offers lots of plucky fun along the way. The smoldering garden of the title is Hawaii, where the golf- starved Japanese who have come to purchase billionaire Byron Trumbo's sprawling resort are as likely to discover severed hands on the 14th green as they are to encounter a giant talking pig that devours souls. Historian Eleanor Perry has a different motive for her visit—to solve the mystery of her Great Great Great Great Aunt Kidder, whose Hawaiian adventures with Mark Twain in 1866 will be paralleled by Perry's own. In each era, a grumpy cabal of local priests summons the forces of darkness to rid the islands of an unwanted white plague—missionaries in Aunt Kidder's day, real- estate tycoons in Perry's. Shifting deftly between the mid-1800s and the present, Simmons uses Aunt Kidder's journal to recount her unlikely romantic gambol with Samuel Clemens, not yet Mark Twain but acid-tongued nonetheless. The pair's climactic scene together, in which Kidder and Clemens slather themselves with rotten kukui- nut oil and descend naked into the underworld, approaches inspired hilarity without compromising suspense. Never really too cloying in its symmetries, the novel supplies Perry with her own confederates, who, while not possessed of Clemens's legendary wit, are substantially more than cardboard action figures. In a useful twist, it's Cordie Stumpf, Perry's hard-drinking sister in arms, who, with a reluctant Trumbo as her Twain, battles the novel's pig- god Mephistopheles to reclaim Perry's captured ghost and save the imperiled resort. Allying the women, literally, with female volcanic deities, Simmons even wedges a feminist angle into his already bulging anthropological primer. The flip side of a Don Ho single, short on poi and ukuleles but long on elemental carnage, vengeful immortals, and nimble plotting.
Pub Date: Oct. 27, 1994
ISBN: 0-399-13922-2
Page Count: 400
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1994
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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