by Daniel Easterman ‧ RELEASE DATE: Sept. 11, 1991
A dark and disturbing foray into voodoo-terror by a master of the religious-conspiracy thriller (The Brotherhood of the Tomb, 1990; The Ninth Buddha, 1989, etc.). From the opening pages, in which Haitian-born heroine Angelina Hammel finds a host of corpses hidden beneath the floorboards of her Brooklyn apartment, Easterman spins a morbid tale of unrelenting evil that's a far and eerie cry from the high adventure of his earlier work. In sinuous prose tinged with despair, the horrors pile up: one body is trapped in a living death—a zombi?; Angelina's ethnologist husband, Rick, is found murdered and mutilated in a nearby park; Reuben Abrams, the cop assigned to Angelina, uncovers a weird sanctum of evil beneath the Brooklyn waterfront, full of spiders, more bodies, the mummy of a sorcerer, and half of a golden disc. This disc, Abrams learns, is the talisman of the Seventh Order, a reactionary, voodoo-based global conspiracy that includes ``senators, judges, industrialists,'' and that prophesies ``the resurrection of all things when the true king'' sits on his voodoo throne. Members of the Order soon give violent chase to Angelina, whom they rightly believe holds information—derived from her husband's research—threatening to the Order. The brutal murder of Abrams's parents (partly repaid by the cop with a syringe through the assassin's eyeball) is only one atrocity of many as the duo, aided by a secret federal anti-Order cabal, fend off attack. Prompted by the cabal, Abrams and Angelina, now uneasy lovers, fly to the Order's homeground, Haiti—where the action turns darker still, a febrile shock-scape of voodoo ceremonies, torture, and death (and one whiff of Easterman past—an extraneous but rousing escapade during a hurricane) that ends in the bleakest possible way. More horror novel than thriller, grim and unforgiving, and resonant with menace, decay, and the stuff nightmares are made of.
Pub Date: Sept. 11, 1991
ISBN: 0-06-017928-7
Page Count: 480
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1991
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by Kristin Hannah ‧ RELEASE DATE: July 1, 2002
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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by Harper Lee
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SEEN & HEARD
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