by Daniel Jones ‧ RELEASE DATE: April 1, 2000
comes between.
A compassionate, quietly compelling debut from prizewinning short-story writer Jones, about a young husband attempting
to come to terms with his grief after his wife's death, while helping their two children do the same. Trying to pick up the pieces in Pittsburgh following Lucy's death from breast cancer, Porter can't face returning to his graphic-design job, for which he’d abandoned a promising start as a painter when the first of his kids was born. On impulse, he trades in Lucy's Mazda for a gaily painted camper truck and plans a cross-country trip with Kaylie and Ben, as much to escape his domineering in-laws as to have an adventure. On the road one step ahead of his mother-in-law, who disapproves of the trip and the vehicle, Porter and the kids stop their first night at an Indiana campground, the flyer for which they found in the truck. But morning brings revelations: their campground is a gathering place for Deadheads, and the camper’s previous owner had left his girlfriend there, then ran off with someone else. Taking in the tepees and tie-dyes, Porter and family are initially dismayed, but with the help of Delilah, the jilted, pregnant girlfriend, they soon find their way around and begin to relax—which is good, because their truck's transmission is shot. When Porter relaxes a bit too much, however, with the help of some killer weed supplied by the Deadhead mechanic, he fails to get back to the camper, and Kaylie calls Grandma on the cell phone in a panic. His in-laws flying to the rescue, Porter realizes the adventure is over, yet as he and Delilah nurse the truck back to Pittsburgh, the children having been airlifted to safety, the tentative outline of a new beginning for everyone emerges. Equally funny and full of grief's nuances, with just a few abrupt transitions: a moving story of love and loss and all that
comes between.Pub Date: April 1, 2000
ISBN: 0-688-17456-6
Page Count: 304
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2000
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by Daniel Jones
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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