Even Angelology addicts likely face disappointment. Then again, maybe not.



Sequel to the best-selling Angelology (2010), wherein a dedicated cadre of Angelologists battle the beautiful yet sadomasochistically evil angel-human hybrids who’ve controlled human affairs since Noah's flood.

In Paris, angel hunter V.A. Verlaine searches for former nun Evangeline, once a normal, wingless, red-blooded human, now somehow metamorphosed into a winged, blue-blooded, angel-powered Nephilim. Evangeline presents Verlaine with a fabulous Fabergé egg before allowing herself to be captured by Eno, the blackhearted, lesser-angel servant of the Grigori family, the most powerful Nephilim. Since Eno will convey Evangeline to the panopticon, the Grigoris’ vast prison/research center in Siberia where she will face torture and experimentation, the egg is an important clue. Where better to research the egg, Verlaine reasons, than the Hermitage museum in St. Petersburg? The egg, it emerges, contains the secret to an elixir that may prove decisive in the struggle against the Nephilim. Another key to the elixir is found in an old album of jottings and pressed flowers left by Rasputin, but some of the plants mentioned in the recipe are now extinct. But wait! Fortunately, Noah didn’t just pack all the animals aboard his ark, he also grabbed plants and seeds! So, while Verlaine climbs aboard the train to Siberia to rescue Evangeline, his colleagues head for the Black Sea, where settlements flourished before Noah’s flood. The plot, of which the foregoing is barely a hint, twisting itself into knots trying, and failing, not to contradict itself, and upon which an ordinary world beyond eggs, floods, documents, battling angels, pressed flowers and what-all barely impinges. Despite the frequent violence, the action consists largely of antagonists whose main objective, seemingly, is not to defeat, kill or seriously inconvenience their opponents. Expect pages and pages of abstruse discussion about Fabergé eggs, Noah, genetics and angelic anatomy.

Even Angelology addicts likely face disappointment. Then again, maybe not.

Pub Date: March 26, 2013

ISBN: 978-0-670-02554-1

Page Count: 320

Publisher: Viking

Review Posted Online: Jan. 20, 2013

Kirkus Reviews Issue: Feb. 1, 2013

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.


Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Amateurish, with a twist savvy readers will see coming from a mile away.


A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 4, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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