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ANGELOPOLIS

Even Angelology addicts likely face disappointment. Then again, maybe not.

Sequel to the best-selling Angelology (2010), wherein a dedicated cadre of Angelologists battle the beautiful yet sadomasochistically evil angel-human hybrids who’ve controlled human affairs since Noah's flood.

In Paris, angel hunter V.A. Verlaine searches for former nun Evangeline, once a normal, wingless, red-blooded human, now somehow metamorphosed into a winged, blue-blooded, angel-powered Nephilim. Evangeline presents Verlaine with a fabulous Fabergé egg before allowing herself to be captured by Eno, the blackhearted, lesser-angel servant of the Grigori family, the most powerful Nephilim. Since Eno will convey Evangeline to the panopticon, the Grigoris’ vast prison/research center in Siberia where she will face torture and experimentation, the egg is an important clue. Where better to research the egg, Verlaine reasons, than the Hermitage museum in St. Petersburg? The egg, it emerges, contains the secret to an elixir that may prove decisive in the struggle against the Nephilim. Another key to the elixir is found in an old album of jottings and pressed flowers left by Rasputin, but some of the plants mentioned in the recipe are now extinct. But wait! Fortunately, Noah didn’t just pack all the animals aboard his ark, he also grabbed plants and seeds! So, while Verlaine climbs aboard the train to Siberia to rescue Evangeline, his colleagues head for the Black Sea, where settlements flourished before Noah’s flood. The plot, of which the foregoing is barely a hint, twisting itself into knots trying, and failing, not to contradict itself, and upon which an ordinary world beyond eggs, floods, documents, battling angels, pressed flowers and what-all barely impinges. Despite the frequent violence, the action consists largely of antagonists whose main objective, seemingly, is not to defeat, kill or seriously inconvenience their opponents. Expect pages and pages of abstruse discussion about Fabergé eggs, Noah, genetics and angelic anatomy.

Even Angelology addicts likely face disappointment. Then again, maybe not.

Pub Date: March 26, 2013

ISBN: 978-0-670-02554-1

Page Count: 320

Publisher: Viking

Review Posted Online: Jan. 19, 2013

Kirkus Reviews Issue: Feb. 1, 2013

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THE INSTITUTE

King fans won’t be disappointed, though most will likely prefer the scarier likes of The Shining and It.

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The master of modern horror returns with a loose-knit parapsychological thriller that touches on territory previously explored in Firestarter and Carrie.

Tim Jamieson is a man emphatically not in a hurry. As King’s (The Outsider, 2018, etc.) latest opens, he’s bargaining with a flight attendant to sell his seat on an overbooked run from Tampa to New York. His pockets full, he sticks out his thumb and winds up in the backwater South Carolina town of DuPray (should we hear echoes of “pray”? Or “depraved”?). Turns out he’s a decorated cop, good at his job and at reading others (“You ought to go see Doc Roper,” he tells a local. “There are pills that will brighten your attitude”). Shift the scene to Minneapolis, where young Luke Ellis, precociously brilliant, has been kidnapped by a crack extraction team, his parents brutally murdered so that it looks as if he did it. Luke is spirited off to Maine—this is King, so it’s got to be Maine—and a secret shadow-government lab where similarly conscripted paranormally blessed kids, psychokinetic and telepathic, are made to endure the Skinnerian pain-and-reward methods of the evil Mrs. Sigsby. How to bring the stories of Tim and Luke together? King has never minded detours into the unlikely, but for this one, disbelief must be extra-willingly suspended. In the end, their forces joined, the two and their redneck allies battle the sophisticated secret agents of The Institute in a bloodbath of flying bullets and beams of mental energy (“You’re in the south now, Annie had told these gunned-up interlopers. She had an idea they were about to find out just how true that was"). It’s not King at his best, but he plays on current themes of conspiracy theory, child abuse, the occult, and Deep State malevolence while getting in digs at the current occupant of the White House, to say nothing of shadowy evil masterminds with lisps.

King fans won’t be disappointed, though most will likely prefer the scarier likes of The Shining and It.

Pub Date: Sept. 10, 2019

ISBN: 978-1-9821-1056-7

Page Count: 576

Publisher: Scribner

Review Posted Online: Aug. 3, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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THE TROOP

Readers may wish to tackle this heart-pounding novel in highly populated, well-lit areas—snacks optional.

Some thrillers produce shivers, others trigger goose bumps; Cutter’s graphic offering will have readers jumping out of their skins.

Scoutmaster Dr. Tim Riggs takes his troop for their annual camping trip to Falstaff Island, an uninhabited area not far from their home on Prince Edward Island. The five 14-year-old boys who comprise Troop 52 are a diverse group: popular school jock, Kent, whose father is the chief of police; best friends Ephraim and Max, one the son of a petty thief who’s serving time in prison and the other the son of the coroner who also serves as the local taxidermist; Shelley, an odd loner with a creepy proclivity for animal torture and touching girls’ hair; and Newton, the overweight nerdy kid who’s the butt of the other boys’ jokes. When a skeletal, voracious, obviously ill man shows up on the island the first night of their trip, Tim’s efforts to assist him unleash a series of events which the author describes in gruesome, deliciously gory detail. Tom Padgett is the subject of a scientific test gone horribly wrong, or so it seems, and soon, the Scouts face a nightmare that worms its way into the group and wreaks every kind of havoc imaginable. With no way to leave the island (the boat Tom arrived on is disabled, and the troop was dropped off by a different boat), the boys fight to survive. Cutter’s narrative of unfolding events on the island is supplemented with well-placed interviews, pages from diaries, and magazine and newspaper articles, which provide answers to the reader in bits and pieces—but perhaps more importantly, it also delivers much-needed respites from the intense narrative as the boys battle for their lives on the island. Cutter (who created this work under a pseudonym) packs a powerful punch by plunging readers into gut-wrenching, explicit imagery that’s not for the faint of heart or the weak of stomach.  

Readers may wish to tackle this heart-pounding novel in highly populated, well-lit areas—snacks optional.

Pub Date: Feb. 25, 2014

ISBN: 978-1-4767-1771-5

Page Count: 368

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Sept. 17, 2013

Kirkus Reviews Issue: Oct. 1, 2013

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