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A SUPPOSEDLY FUN THING I'LL NEVER DO AGAIN

ESSAYS AND ARGUMENTS

This collection of essays by hot novelist Wallace (Infinite Jest, 1996, etc.) is sometimes tiresome but often truly rewarding.

Wallace is a fine prose stylist of the post-Beat school. His long sentences overflow with prepositional phrases; commas are scarce. At his best—which is to say, about half the time here—Wallace writes with an intensity that transforms rambling reportage into a sui generis mode of weird philosophizing. He makes deft use of footnotes to pile up insights beneath the flow of his main line of thought. Especially brilliant is the collection's opening essay, in which Wallace looks back on his childhood experiences as a Midwestern junior tennis star through the lens of his collegiate obsession with mathematics. The tennis world, treated at length in Infinite Jest, resurfaces in a sensitive profile of rising American player Michael Joyce. Otherwise, Wallace's best work comes in two pieces that originally appeared in Harper's: a ferocious investigative report on the culture of luxury cruises, and the record of another carnival voyage, this one a trip to the Illinois State Fair. A book review competently discusses literary-theoretical debates over the death-of-the-author thesis. Elsewhere in the volume, Wallace takes determined dives into banality. A more judicious, albeit less focused, effort finds Wallace on the set with filmmaker David Lynch, whom he presents as a contemporary artistic hero. A sprawling meditation on television and contemporary fiction lays out many intriguing theories, but its main point, that TV irony snares rather than liberates viewers, doesn't make news. At his best, the exuberant Wallace amazes with his “Taoistic ability to control via noncontrol.” But—to continue quoting from his opening tour-de-force, “Derivative Sport in Tornado Alley''—eschewing discipline exacts a price: “Force without law has no shape, only tendency and duration.''

 

Pub Date: Feb. 12, 1997

ISBN: 0-316-91989-6

Page Count: 384

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1996

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CAN YOU HEAR ME?

: MAKING THE WORLD A QUIETER PLACE: MY LIFE AS AN UNWITTING ENTREPRENEUR

A rags to riches story which would benefit from more heart and less science.

In a straightforward autobiography, Hirschorn recalls his journey from a childhood in 1930s Berlin to building a multinational corporation that helped make the world a less noisy place.

Born in Berlin in 1921 to a working class Jewish family, even as a child Hirschorn helped his parents at their respective jobs. Things changed when the Nazis came to power. By 1937, his parents had sent him to the relative safety of school in England. As World War II raged, the author managed to earn an engineering degree. In 1947, he joined his aunt in America and found some fame in engineering circles through a paper on designing an equipment silencer. He used this as a springboard to start his company, Industrial Acoustics Company, out of his aunt’s fourth-floor walk-up–he quickly found a need for his specific brand of expertise in postwar America. The author’s story is the quintessential immigrant’s tale–he arrived in America with nothing and turned himself into a captain of industry. Yet so much time is spent on the nitty-gritty of engineering and not enough on how Hirschorn became the man with a knack for silencing cacophony. The most thrilling part of the book should have been Hirschorn’s formative years in Nazi Germany and WWII England, but the writing is excessively matter-of-fact, robbing it of excitement. Even the excerpts from his actual journals, written when he was a young man, are somewhat sedate. However, the 70-year-old Hirschorn’s commentary on his younger self is intriguing. While the book can be impassive, the breadth of the author’s experience and knowledge is impressive.

A rags to riches story which would benefit from more heart and less science.

Pub Date: N/A

ISBN: 978-0-9769816-0-2

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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PIERRE FRANEY'S COOKING IN FRANCE

French culinary king Franey (A Chef's Tale, p. 189, etc.) teams up with Flaste once again in this companion book to Franey's new 26-week public television series. Amassed here are a selection of classic specialities from each of 20 major gastronomic areas of the country, with information on cheeses, desserts, and drinks and how these ingredients have influenced the development of cuisine in places from Normandy (famous for cream, Calvados, and apple cider) to the Loire Valley (known for freshwater fish like sandre and trout) to Gascony (a major foie gras producer). The authors offer excellent recipes for simple, peasant fare; popular bistro foods; and sophisticated restaurant dishes. Unfortunately, French regional often means lots of meat and cream, and while this makes for great taste in everything tested, from the rich scallops sauteed with leeks and saffron to the hearty sauerkraut with pork, no one can indulge in such heavy meals often. Although there are many lighter recipes in this good cookbook (which will, in all likelihood, become a food bible for Francophiles), it could have been even better with the inclusion of variations for reducing fat. Franey presents easy-to-follow instructions, and even for the most spectacular dishes the preparation is manageable, though often requiring several steps (one of which may be a sauce). Delicious—but just because Franey asserts that the French have avoided current low-fat standards without suffering in ``health or looks'' doesn't mean we all can. (50 photos, 15 in full color, 20 maps, not seen) (First printing 50,000; Book-of-the-Month Club's Homestyle Book Club alternate selection)

Pub Date: Aug. 30, 1994

ISBN: 0-679-43157-8

Page Count: 320

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1994

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