A brilliantly photographed tribute to the rise of the 44th president.
An appealing pictorial biography of the pre-presidential Barack Obama.
In early 2004, Katz joined Obama’s senatorial campaign as a volunteer driver and then photographer and aide. In this well-rendered photographic celebration, he shows the trajectory of Obama from state politician to leader of the free world. The photos are all high quality and cover a vast range of moments, from Obama getting his haircut by his longtime barber near Hyde Park to the presidential hopeful in tears when he learned, two days before the 2008 election, that the grandmother who raised him had just died. Throughout, Katz emphasizes his theme of the “many small moments in Obama’s life when his political career was just gaining traction.” It all began when the budding photographer decided that the unknown Obama needed “more compelling” pictures on his website. The campaign had only 10 staffers and couldn’t pay Katz, but they offered him a volunteer position. So he spent 10 months driving the candidate around the state before becoming his personal aide. Alongside the photos, the author offers illuminating commentary—on the role of the Secret Service, Michelle’s take, the Al Smith dinner, a rally with Bruce Springsteen—and it’s interesting to consider how Katz designed the layout. He made the wise choice to group together many shots, so we have a set with Stevie Wonder and Robin Williams, Oprah Winfrey, George Soros, Nelson Mandela, the Bidens, and Leonardo DiCaprio, among many others. Along the way, readers will learn how politicians rise as they connect with celebrities and funders, and the narrative is packed with entertaining vignettes. For example, Oprah didn’t think the Obamas’ Chicago apartment was the right setting for O, The Oprah Magazine, so she took the shoot outdoors. The book also features a foreword by Obama himself.
A brilliantly photographed tribute to the rise of the 44th president.Pub Date: Dec. 1, 2020
ISBN: 978-0-06-302874-6
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: Aug. 31, 2020
Kirkus Reviews Issue: Oct. 1, 2020
SEEN & HEARD
PROFILES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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