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THE TIME THAT'S GIVEN

A keen and delightful multigenre tale about a hero grappling with two worlds.

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Traveling to a dreamlike realm, a man embarks on a difficult quest but may have trouble returning to reality in this novel.

Burt Higgins spends his post-retirement days alone in his Massachusetts home. His wife, Betty, a retired art teacher, is in New York studying for her MFA. One day, Burt lights a candle he bought in Prague, where the shopkeeper claimed the item was magical. A boy appears and says he’s Burt’s guide to take him wherever he wishes to travel. He chooses to go to “the source of despair,” apparently the origin of the “murky shadow” connected to the guide. In this other world, two children, Matthias and Hannah, mistake Burt, still in his bathrobe, for a wizard. He befriends them and their mother, Elizabeth. When someone later abducts one of the kids, Burt revises his mission—ending all despair—to include a rescue. This is possible, as the guide is the “scribe” of Burt’s story. But it means Burt will be part of this world and have a harder time returning to his own. Soon, he’s recalling memories of life with Betty and their two kids and questioning which world is the real one. Litwack (Along the Watchtower, 2018, etc.) doesn’t hide the possibility that Burt is dreaming. But there is definite mystery, as the protagonist suspects the realm he believed was real is actually a dream. This makes for intriguing dual worlds: The alternate one is often familiar (a family much like Burt’s) while the real world has fantasy elements (terrorists are cruel in the same way as storybook villains). Ultimately, the tale excels as a fantasy, with elements like portals and an enchanted sword, and as a drama, with breast-cancer survivor Betty having undergone a biopsy, its results unknown at the narrative’s start. But the author truly shines in more conceptual moments. Burt contemplates a version of the afterlife that is, essentially, a “forever dream” of accumulated, imagination-enhancing memories. 

A keen and delightful multigenre tale about a hero grappling with two worlds.

Pub Date: Oct. 19, 2019

ISBN: 978-1-62253-442-5

Page Count: 232

Publisher: Evolved Publishing

Review Posted Online: Oct. 31, 2019

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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