A keen and delightful multigenre tale about a hero grappling with two worlds.
Traveling to a dreamlike realm, a man embarks on a difficult quest but may have trouble returning to reality in this novel.
Burt Higgins spends his post-retirement days alone in his Massachusetts home. His wife, Betty, a retired art teacher, is in New York studying for her MFA. One day, Burt lights a candle he bought in Prague, where the shopkeeper claimed the item was magical. A boy appears and says he’s Burt’s guide to take him wherever he wishes to travel. He chooses to go to “the source of despair,” apparently the origin of the “murky shadow” connected to the guide. In this other world, two children, Matthias and Hannah, mistake Burt, still in his bathrobe, for a wizard. He befriends them and their mother, Elizabeth. When someone later abducts one of the kids, Burt revises his mission—ending all despair—to include a rescue. This is possible, as the guide is the “scribe” of Burt’s story. But it means Burt will be part of this world and have a harder time returning to his own. Soon, he’s recalling memories of life with Betty and their two kids and questioning which world is the real one. Litwack (Along the Watchtower, 2018, etc.) doesn’t hide the possibility that Burt is dreaming. But there is definite mystery, as the protagonist suspects the realm he believed was real is actually a dream. This makes for intriguing dual worlds: The alternate one is often familiar (a family much like Burt’s) while the real world has fantasy elements (terrorists are cruel in the same way as storybook villains). Ultimately, the tale excels as a fantasy, with elements like portals and an enchanted sword, and as a drama, with breast-cancer survivor Betty having undergone a biopsy, its results unknown at the narrative’s start. But the author truly shines in more conceptual moments. Burt contemplates a version of the afterlife that is, essentially, a “forever dream” of accumulated, imagination-enhancing memories.
A keen and delightful multigenre tale about a hero grappling with two worlds.Pub Date: Oct. 19, 2019
ISBN: 978-1-62253-442-5
Page Count: 232
Publisher: Evolved Publishing
Review Posted Online: Oct. 31, 2019
Review Program: Kirkus Indie
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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