A superb satirist of academic life on both sides of the Atlantic (Small World, 1985; Nice Work, 1989, etc.), Lodge here turns to a subject much hashed over in American fiction: male midlife crisis and the countless trendy therapies it's engendered. Laurence ``Tubby'' Passmore, bald and rotund in his 50s, suffers from a free-floating sense of dread. To all appearances, his life is going rather well: A successful television writer with two grown children, he enjoys a vigorous sex life with his university prof wife, Sally, to whom he's remained loyal for some 30 years. But a nagging unhappiness first manifests itself in a troubling knee injury that even surgery can't cure. This ``Internal Derangement of the Knee'' (a doctor's way of saying ``I Don't Know'') begins to dominate Tubby's consciousness, setting off his obsessive fears of impotence, his zombie-like behavior at home, and a strange identification with Kierkegaard's life and philosophy. With his long-running TV series in jeopardy, Tubby also provokes his wife into a separation. When things take this considerable turn for the worse, Lodge begins to let loose. Tubby's jealous rage, his fumbling sexual adventures, his pathetic effort to develop a new series on his favorite Danish philosopher—all make for hilarious set pieces. Tubby's various therapies also provide some good fun: his acupuncture, his aroma therapy, his physiotherapy, his cognitive behaviorist, as well as his formerly ``Platonic mistress,'' Amy, a brassy divorcÇe who confirms her own dislike of sex. Finally, Tubby finds peace by delving deep into his past; he tries to atone for his poor behavior toward his first love, an Irish Catholic beauty named Maureen. Tracking her down in the present, he joins her on a religious pilgrimage in Spain: a spiritual journey that crystallizes his own sense of religion as understood from—who else?—Kierkegaard. The decidedly untrendy ending—personal healing through a leap of faith—redeems an otherwise commonplace novel, one more reminiscent of Lodge's earlier fiction about Catholicism and the sexual revolution.
Pub Date: July 1, 1995
ISBN: 0-670-86358-0
Page Count: 320
Publisher: Viking
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 15, 1995
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
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