Vivid detail makes this tale of communal living in the early '70s a fascinating one, although an excessively detached tone keeps much of the experience from coming alive. Young Sam Shames, born in Brooklyn, hits the road in 1970 in search of experience and true love and finds both at a hippie commune in rural Oregon. Sam enthusiastically joins the rest of the longhairs on the Farm in carving out a funky version of utopia—a life distinguished by open marriages, a multiseated outhouse, subsistence farming in the nude, and the rearing of goats. The Farm ``family'' consists of a variety of drop-ins and drop-outs, some staying only a few nights, bringing food or music or pot, others joining the community, adding their own quirky personalities to the ensemble. Helene, the only founding member still living on the Farm, spends hours each morning recording the commune's history for future publication. Beatifically pregnant Claudia spends much of her time with flute-playing Will and her small son Peter. Jack, the real workhorse of the group, is resigned to wife Joan's new romance with fellow communard Larry. At times tediously, at others reflectively, the narrative traces a year in the life of the Farm, describing the seasons changing, lovers switching, the crops coming in, the goats breeding, and Claudia giving birth to a daughter. But as winter approaches so do dark times: Not only does the baby die, but power struggles in paradise become prevalent. The commune begins to come apart. An epilogue jumps 25 years into the future, focusing on a reunion at which the lives of the commune's members are rather too neatly wrapped up. The time and place are rendered well, but Margolis's flat, documentary style keeps the emotional life of the Farm at a distance, reducing his second novel (after The Stepman, 1996) to an interesting portrait of a counterculture experiment gone awry.
Pub Date: Aug. 1, 1997
ISBN: 1-877946-87-7
Page Count: 232
Publisher: Permanent Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1997
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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