Vivid detail makes this tale of communal living in the early '70s a fascinating one, although an excessively detached tone keeps much of the experience from coming alive. Young Sam Shames, born in Brooklyn, hits the road in 1970 in search of experience and true love and finds both at a hippie commune in rural Oregon. Sam enthusiastically joins the rest of the longhairs on the Farm in carving out a funky version of utopia—a life distinguished by open marriages, a multiseated outhouse, subsistence farming in the nude, and the rearing of goats. The Farm ``family'' consists of a variety of drop-ins and drop-outs, some staying only a few nights, bringing food or music or pot, others joining the community, adding their own quirky personalities to the ensemble. Helene, the only founding member still living on the Farm, spends hours each morning recording the commune's history for future publication. Beatifically pregnant Claudia spends much of her time with flute-playing Will and her small son Peter. Jack, the real workhorse of the group, is resigned to wife Joan's new romance with fellow communard Larry. At times tediously, at others reflectively, the narrative traces a year in the life of the Farm, describing the seasons changing, lovers switching, the crops coming in, the goats breeding, and Claudia giving birth to a daughter. But as winter approaches so do dark times: Not only does the baby die, but power struggles in paradise become prevalent. The commune begins to come apart. An epilogue jumps 25 years into the future, focusing on a reunion at which the lives of the commune's members are rather too neatly wrapped up. The time and place are rendered well, but Margolis's flat, documentary style keeps the emotional life of the Farm at a distance, reducing his second novel (after The Stepman, 1996) to an interesting portrait of a counterculture experiment gone awry.
Pub Date: Aug. 1, 1997
ISBN: 1-877946-87-7
Page Count: 232
Publisher: Permanent Press
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: June 1, 1997
Categories: GENERAL FICTION
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BOOK REVIEW
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The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 22, 2014
Kirkus Reviews Issue: Jan. 1, 2015
Categories: GENERAL FICTION
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PROFILES
PERSPECTIVES
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 19, 2011
Kirkus Reviews Issue: Jan. 1, 2012
Categories: GENERAL FICTION
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