Issues of faith and will are at the center of this meditative tale set in London, New York, and Moscow—a striking work in the author's signature style. Tall, dark Claire is a lapsed Catholic and survivor of her husband's suicide. Somehow she is not surprised when, while she's off with her lover for a weekend in the English countryside, her 16-year-old daughter back in London is raped. Claire tries to atone for her neglect by cutting off her own personal life in service of her daughter, Rachel; when the girl learns she is pregnant and decides to keep the child, Claire quietly arranges for a leave of absence from school, sets aside her own academic research on the works of a minor (and suicidal) Italian Renaissance artist, and devotes herself to instilling in her broken daughter the will to go on. Meanwhile, in New York, a melancholy young editor of art books, caught in a meaningless affair with a willful young Englishwoman and grieving over the suicide of his soulful Russian-American cousin, seeks distraction in an unexpected transfer to London. There he meets Claire and Rachel and, sensing that his vague but urgent search for meaning melds uniquely with theirs, agrees to go with them to Russia to seek out a long-lost painting of the Annunciation by Claire's Italian artist. Carefully as the protagonists plan their journey, events in chaotic Russia soon overwhelm them—until the sight of the painting, which takes place in near-miraculous circumstances, offers solutions to their lives they that never could have reached on their own. Plante's (The Accident, 1991, etc.) characters may be mere ciphers for the more multidimensional philosophical issues he seeks to explore—guilt and redemption, faith versus rationalism, will versus despair—but his ruminations remain so stimulating that a certain lack of credibility is beside the point. Excellent intellectual escapism, and classic Plante.
Pub Date: May 1, 1994
ISBN: 0-395-68091-3
Page Count: 320
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1994
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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