by David Random ‧ RELEASE DATE: March 9, 2017
A winning twin spin that combines an ethical conundrum with a police procedural.
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Two brothers are connected to a murder—in divergent ways—in this novel.
At the beginning of Random’s (Defying Gravity, 2016) tale, there’s a body, a weapon, an eyewitness, and a confession. Harvard psychology professor Olek Janko died in his apartment from knife wounds inflicted by Gary Vaughn. Gary confesses to the homicide, which his brother, Maynard, witnessed and reported to the authorities. What veteran Police Lt. Joe “The Bull” Antonelli thinks will be a clear-cut case turns bizarre when “attractive and ambiguously ethnic” Detective Cassandra “Cassie” Navarro reveals that the Vaughn boys share a connection more profound that brotherhood: they are conjoined twins. Maynard is a soft-spoken, articulate, and presumed innocent witness to a murder, and Gary is the coldblooded killer. The Vaughns, joined at the abdomen, had been part of a twin study Janko was conducting; now Antonelli summarizes: “We have a confessed murderer, but we have an apparently innocent man attached to him.” Courtroom scenes present a riveting debate as to the degree that conjoined twins can be independent—is it just a physical condition, or if one twin has a mind to kill, how involved psychologically is the other in that decision? And if he can’t be punished without penalizing Maynard, did Gary commit the perfect crime? During their investigation, Antonelli and Cassie interview Janko’s estranged wife and former research assistant, Christina Cole, who seems more concerned with the twins than with her dead husband. The story moves quickly, and Random is able to craft a plot that sounds far-fetched on the surface but becomes poignantly believable. Descriptions are rich: “A black sky salted with stars” and “The brothers were looking in two different directions at once—like a lizard whose eyes work independently of each other.” Smart dialogue fills quick-paced scenes, and accounts of Boston’s North End are vivid (cannoli, anyone?). Strong women and players of various ethnicities fill the pages. Lead character Antonelli is a bit of a sexagenarian dandy, with his hand-tailored suits and gold-embossed cuff links.
A winning twin spin that combines an ethical conundrum with a police procedural.Pub Date: March 9, 2017
ISBN: 978-1-63524-846-3
Page Count: -
Publisher: LitFire Publishing
Review Posted Online: June 28, 2017
Kirkus Reviews Issue: Aug. 15, 2017
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Kirkus Reviews'
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Kirkus Prize
winner
National Book Award Finalist
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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