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I CAN HANDLE HIM

An enjoyable romantic drama that keeps readers guessing.

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This romantic-suspense novel brings together a man who’s a trouble magnet with a woman who’s determined to prove his innocence.

In his mid-20s, Nick Allen is bad news, or at least that’s what people have said since his girlfriend, Sienna Brown, blew up in a car explosion. She was driving Nick’s Mustang, but her family blames Nick for neglecting to maintain the car, which he bought from the Browns’ dealership. Al Thomas, owner of the San Antonio, Texas, coffee shop/bookstore where they all used to work, says “The best thing for Nick would be to leave town”—though self-interest plays a role; Nick is opening a rival place just as Al is retiring with plans to leave the enterprise to his son, Blaine, a cocky 24-year-old. Quinn Corbin and her BFF Tory Taylor, both 24, think Nick is innocent—and “delicious.” The summer before Quinn starts teaching second grade and Tory returns to law school in Austin, Quinn begins exploring a relationship with Nick while Tory does some legal work for Al, somewhat uncomfortably given his anger over Nick’s coffee shop. After a tragedy that Nick is again blamed for, Tory vows to clear Nick’s name. Through twists and turns full of danger, surprise, and drama, more than one truth emerges. Lum (The Doctor, the Chef or the Fireman, 2017, etc.) writes a fast-paced novel full of emotional highs and lows. At times, the melodrama is overstated; for example, simply catching sight of her reflection in Nick’s sunglasses is “crazy strange” to Quinn. In general, though, Lum nicely captures the big feelings of young people getting started in life, like when Quinn’s excited about buying school supplies for her first time teaching solo. Some elements are too familiar, like the sassy gay best friend (“Honey, you know I moved to San Antonio for the street tacos and brown men”) or a contrived reason for jealousy (it’s just a big misunderstanding, naturally), but Lum keeps the plot suspenseful with alternating present-tense narrators, effective red herrings, and unexpected revelations.

An enjoyable romantic drama that keeps readers guessing.

Pub Date: April 7, 2018

ISBN: 978-1-944463-12-0

Page Count: 362

Publisher: DKLit LLC

Review Posted Online: April 13, 2018

Kirkus Reviews Issue: June 1, 2018

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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