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THE BREADWINNER

A GRAPHIC NOVEL

A rather unsatisfying graphic novel, sure to disappoint fans of Ellis’ book.

A graphic-novel adaptation of Ellis’ heartwarming story of Parvana, a young girl in Afghanistan who cuts her hair and dresses as a boy to earn money for her family when her father is imprisoned by the Taliban.

Adding a layer of remove from the original, this graphic novel is an adaptation of the upcoming film version, and it varies significantly from the original book. Notable deviations include the absence of helpful Mrs. Weera, who provides so much support to Parvana and her family in the original book, and two new details: a grudging former student who tattles on Parvana’s father and Parvana’s solo visit to rescue her imprisoned father. Much story is lost as a result of the numerous deviations, which also sadly promote Western views of Afghanistan, such as rampant corruption and violent men. Even as a stand-alone title for readers not familiar with the book, the storyline is bumpy, moving in fits and starts. At one point, Parvana’s mother decides to abandon Parvana and leave for the neighboring village but then changes her mind midway. Another disappointment is the book cover, which shows Parvana selling chai, something she does not do in either story (although her friend does). The only redeeming factor is the beautiful artwork, stills from the film, with its vivid use of colors to display context, such as use of red for war and black for the Taliban rule.

A rather unsatisfying graphic novel, sure to disappoint fans of Ellis’ book. (Graphic historical fiction. 10-14)

Pub Date: Jan. 1, 2018

ISBN: 978-1-77306-118-4

Page Count: 80

Publisher: Groundwood

Review Posted Online: Dec. 2, 2017

Kirkus Reviews Issue: Jan. 1, 2018

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NEW KID

From the New Kid series , Vol. 1

An engrossing, humorous, and vitally important graphic novel that should be required reading in every middle school in...

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Jordan Banks takes readers down the rabbit hole and into his mostly white prep school in this heartbreakingly accurate middle-grade tale of race, class, microaggressions, and the quest for self-identity.

He may be the new kid, but as an African-American boy from Washington Heights, that stigma entails so much more than getting lost on the way to homeroom. Riverdale Academy Day School, located at the opposite end of Manhattan, is a world away, and Jordan finds himself a stranger in a foreign land, where pink clothing is called salmon, white administrators mistake a veteran African-American teacher for the football coach, and white classmates ape African-American Vernacular English to make themselves sound cool. Jordan’s a gifted artist, and his drawings blend with the narrative to give readers a full sense of his two worlds and his methods of coping with existing in between. Craft skillfully employs the graphic-novel format to its full advantage, giving his readers a delightful and authentic cast of characters who, along with New York itself, pop off the page with vibrancy and nuance. Shrinking Jordan to ant-sized proportions upon his entering the school cafeteria, for instance, transforms the lunchroom into a grotesque Wonderland in which his lack of social standing becomes visually arresting and viscerally uncomfortable.

An engrossing, humorous, and vitally important graphic novel that should be required reading in every middle school in America. (Graphic fiction. 10-14)

Pub Date: Feb. 5, 2019

ISBN: 978-0-06-269120-0

Page Count: 256

Publisher: Harper/HarperCollins

Review Posted Online: Oct. 14, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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ALL'S FAIRE IN MIDDLE SCHOOL

Readers will cheer her victories, wince at her stumbles, and likely demand visits to the nearest faire themselves to sample...

A home-schooled squireling sallies forth to public school, where the woods turn out to be treacherous and dragons lie in wait.

Imogene Vega has grown up among “faire-mily”; her brown-skinned dad is the resident evil knight at a seasonal Renaissance faire, her lighter-skinned mom is in charge of a gift shop, and other adult friends play various costumed roles. As a freshly minted “squire,” she happily charges into new weekend duties helping at jousts, practicing Elizabethan invective (“Thou lumpish reeling-ripe jolt-head!” “Thou loggerheaded rump-fed giglet!”), and keeping younger visitors entertained. But she loses her way when cast among crowds of strangers in sixth grade. Along with getting off on the wrong foot academically, she not only becomes a target of mockery after clumsy efforts to join a clique go humiliatingly awry, but alienates potential friends (and, later, loving parents and adoring little brother too). Amid stabs of regret she wonders whether she’s more dragon than knight. In her neatly drawn sequential panels, Newbery honoree Jamieson (Roller Girl, 2015) portrays a diverse cast of expressive, naturally posed figures occupying two equally immersive worlds. In the end Imogene wins the day in both, proving the mettle of her brave, decent heart in finding ways to make better choices and chivalric amends for her misdeeds.

Readers will cheer her victories, wince at her stumbles, and likely demand visits to the nearest faire themselves to sample the wares and fun. (Graphic fiction. 10-13)

Pub Date: Sept. 5, 2017

ISBN: 978-0-525-42998-2

Page Count: 248

Publisher: Dial Books

Review Posted Online: July 16, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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