Mississippi-based author Johnson’s second novel (The Air Between Us, 2008).
The book is about a young black lawyer facing the complexities of race relations in the 1946 South. It offers a somewhat romantic but emotionally affecting take on the period after World War II, when returning African-American soldiers were no longer willing to be treated as inferior citizens and the NAACP was laying groundwork for the civil rights movement of the 1950s and 1960s. Regina Robichard is a Columbia Law School grad working for the NAACP’s Legal Defense Fund in New York City when her mentor, Thurgood Marshall—whose saintly portrayal would be wearying if he were more actively involved in the story—receives a request to investigate the death of decorated serviceman Joe Howard Wilson, killed on his way home to Revere, Miss. The request has come from Mary P. Calhoun, a white woman in Revere who employs Wilson’s father, Willie Willie. Regina, whose own father was lynched in Omaha, Neb., before she was born, gets Marshall to send her to Revere. The case interests her in part because she recognizes that M.P. Calhoun authored her favorite childhood novel, about three children, two white and one black, sharing adventures in a magical forest under the tutelage of a wise black man. The novel, which includes an unsolved murder, was banned in Mississippi, but Mary, who may remind readers of Harper Lee, lives on in Revere as a member of the landed old-money gentry. Staying in a cottage Mary built for Willie Willie in her backyard, Regina soon realizes that the white citizens, including Mary herself, seem to be protecting the obvious murderer. But motives and black-white interdependency prove more complex than Regina expected. Most confusing for Regina is her own reaction to Mary Calhoun, her idol and nemesis—and possibly her friend. Passionate but never didactic, Johnson wisely allows the novel’s politics to play second fiddle to the intimate, nuanced drama of the young black Yankee and middle-aged white Southerner in this provocative story about race in America that becomes a deeply felt metaphor for all human relationships.
Pub Date: Jan. 21, 2014
ISBN: 978-0-399-15772-1
Page Count: 400
Publisher: Amy Einhorn/Putnam
Review Posted Online: Nov. 16, 2013
Kirkus Reviews Issue: Dec. 1, 2013
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
