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WHAT WE TAKE FOR TRUTH

An impressive environmental tale with an engaging heroine from a talented new novelist.

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  • Kirkus Reviews'
    Best Books Of 2019

A novel spins a story of hard choices and secrets set in beautiful but ironically named Prosperity, Washington, in 1991. 

Although the logging town of Prosperity at one time more than lived up to its name, that era is fading fast thanks to a new environmental awareness. It is tree huggers against loggers, protecting the forest habitat versus feeding one’s family. Caught in the middle of this is Grace “Parrot” Tillman, whose mother died when she was a child. Her father died some years later, so the only family she has left is Aunt Jane, a bitter woman with no love for Prosperity or its loggers. Grace feels a strong pull to flee Prosperity, but fate has a way of intervening. Mill owner Jackson Dyer dies and leaves her an old cabin in his will. His wife tells Grace: “He wanted you to have your own place. Some place in Prosperity you could always call home and come back to if you ever left.” Later comes a bombshell: a huge secret involving Grace and her family that somehow the whole town managed to keep from her. Grace is devastated, then furious. The rest of the tale amounts to slow closure. While this is Nedelman’s (co-author: Still Sexy After All These Years?, 2006, etc.) first novel, she has two nonfiction books and a raft of short stories to her credit. She also has a Ph.D. in clinical psychology, and her practice inspired much of her intriguing new work. What could have been a straightforward polemic about tree huggers and loggers quickly becomes much more subtle and nuanced than that. It is a late coming-of-age tale about Grace, a wonderfully drawn character, a young woman who doesn’t want to take sides, and the author lets her skirt that argument. Having taken over Aunt Jane’s cafe, the Hoot Owl—the endangered bird at the crux of this ecological battle—Grace just wants to survive and maybe bring the town together. Nedelman’s writing is adept with some surprising descriptions (“The town glowed like a bearded hermit stepping from his annual bath”). The tale’s only villain is a man named Nathan Roberge, who’s connected to Grace’s family; the other characters are desperate people but not evil. A key question hovers over the engrossing story: When push comes to shove, will everyone shove together?

An impressive environmental tale with an engaging heroine from a talented new novelist.

Pub Date: June 15, 2019

ISBN: 978-1-950437-18-4

Page Count: 314

Publisher: Adelaide Books

Review Posted Online: Oct. 21, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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