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UNKNOWN CALLER

A book of candor and complexity that captures human relations with heart-rending accuracy.

An emotional and surprising story of a fractured family.

This novel is a nonchronological tale of the interwoven lives of Liesel, who is vivacious yet irresponsible; Joel, her ex-husband, who is staunch yet critical; their daughter, Idzia, who is artistic yet wounded; and their many dear friends and romantic loves. Five years after she leaves Joel, Liesel begins semiregularly calling him in the middle of the night to request child support. He's willing to send money if he's allowed to be a part of Idzia’s life—a request to which Liesel cannot bear to agree. After many years of these nighttime disruptions and many attempts on Joel’s part for legal intervention, Liesel is spurred by her life-threatening illness to concede to a visit. But on the planned day, 17-year-old Idzia never arrives, and Joel is left waiting at the Boston airport. What follows is an exploration of why: what led to this moment and what came after. In vibrant prose, she describes Liesel's life before she met Joel, when she was an entirely different person but no less unsatisfied; Joel’s impatience, which compelled Liesel to have an affair, causing their marriage to fall apart; and the no-less-imperfect relationships that came after. The story’s structure, jumping back and forth in time and place, allows these authentic, flawed characters to be fully fleshed out. Spark (Pretty Girl, 2012, etc.) offers nuggets of poignant wisdom, such as when a dear family friend explains to Idzia, in the most intense hour of her life, “At the moment, your resources for dealing with pain are unequal to your pain. The challenge, for the rest of your life, will be to change that.” Spark’s principal accomplishment, though, is the care she takes to create multidimensional characters who behave in unexpected, truthful ways. Their fullness and intricacy gracefully illustrate how every story has many versions, every memory many interpretations.

A book of candor and complexity that captures human relations with heart-rending accuracy.

Pub Date: Aug. 22, 2016

ISBN: 978-0-8071-6469-3

Page Count: 272

Publisher: Louisiana State Univ.

Review Posted Online: July 19, 2016

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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