Guru Chopra's (Ageless Body/Timeless Mind, 1993, etc.) first novel comes up with a mind/body version of the Arthurian legend that lends great charm to familiar lore. Chopra not only creates strong prose for his lighter-than-air battle between magical forces of good and evil but keeps the pot boiling with symbols that bounce meanings off the page and a plot that turns inside out like a glove as characters shift shapes and identities. The novel opens on the fall of the Round Table to Arthur's evil son, Modred, while introducing us to a Merlin seemingly bored with destiny, then leaps to modern times as Detective Constable Arthur Callum investigates the highway death of a bearded old man (Merlin), whose body disappears from an ambulance. Arthur is assisted by Detective Constable Katy Kilbride (who echoes Guinevere), but neither of these modern folk is bound by the rules of courtly love that brace Malory's Le Morte D'Arthur. The enchantments and evil spells common to knighthood, though, do leap the centuries, as Modred in modern guise seeks out the new Merlin to destroy his power for good. Why did the earlier Merlin seem bored? Because wizards live backward through time—and know outcomes before they know beginnings. The story never takes on epic scale, but in minor mode more or less upends the detective thriller with miraculous inversions and magical events, such as a chase through a thickly branched primeval forest moved to the modern countryside, being in which is like being locked into a schizoid mind. Katy becomes engaged to Arthur but marries Ambersides (Modred), then is seduced by the succubus Jasper, who sees her as the Fairy Fay—actually Morgan le Fay—while Modred is Arthur's darker nature. At last, all the characters are splinters of each other, and phases of the reader as well, awaiting Jungian individuation. Crawling about on the web of time makes for light and lively storytelling.
Pub Date: July 1, 1995
ISBN: 0-517-59849-3
Page Count: 448
Publisher: Harmony
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1995
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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