Taking advantage of a very fast-growing fan base, this outing aims to expand Olatunji’s branded empire with a video...
YouTube sensation ComedyShortsGamer takes his signature blend of hilarity and hijinks on an unbelievable journey into the fantastical Beijing underground with his brother/nemesis, KSI.
With over 9 million subscribers and 3 billion views on his YouTube channel, Olatunji has become an icon of sorts for his idiosyncratic mix of gamer culture, internet pranks, and viral challenges. First published in the U.K. in 2017, this graphic novel allows Olatunji to bring some of the more costly “crazy ideas that go on in [his] head” into print, embracing the adolescent ridiculousness that brought him and his brother international fame. The plot: In an effort to bring the family together—and get the boys away from video games—the Olatunjis take a family trip to Beijing, where one intricate Deji-led prank leads the Triad crime syndicate to believe he may have heroic kung-fu powers and pose a threat to their takeover of the Forbidden City. All this is further complicated with a stereotypical (if not just downright problematic) pseudo-Chinese mythological quest that has world-ending implications. These characters might as well have been stolen from bad gamer archetypes: the “smokin’ hot love interest,” the street punks and the crime boss with “bad ass haircuts,” and let’s not forget Shi—a beer-drinking, cigar-smoking, woman-ogling, “very inappropriate”–talking, animated Chinese lion dog statue. A clue to the tale’s end is noted in Deji’s introductory character bio: “It’s usually some freaky twist of fate that gets Deji out of sticky situations.” This whole ordeal seems nothing but a sticky situation.
Taking advantage of a very fast-growing fan base, this outing aims to expand Olatunji’s branded empire with a video game–inspired graphic fantasy but delivers nothing more than cheap prepubescent thrills. (Graphic fantasy. 12-14)Pub Date: Nov. 6, 2018
ISBN: 978-1-4091-7428-8
Page Count: 192
Publisher: Trapeze/Hachette
Review Posted Online: Aug. 13, 2018
Kirkus Reviews Issue: Sept. 1, 2018
This slender graphic adaptation of the Great American Novel preserves some of Twain’s language, most of his plot and a good sense of his sardonic take on human society. Mixing dialogue balloons with enough boxed narrative to evoke Huck’s distinctive voice, Mann packs in all of the major incidents and tones down at least some of the violence—the two con men are only “punished” here rather than specifically tarred and feathered, for instance. Similarly, though Huck gets viciously slapped around by his father in the pictures, in general there isn’t much other blood visible. The illustrator’s faces tend toward sameness, but Kumar populates his color art with strong, stocky figures, depicts action effectively and, by using irregular frames and insets, sets up an engrossing helter-skelter pacing. A good choice for readers who aren’t quite up to tackling the original, with perfunctory but well-meant notes on Twain’s life and the history of slavery in the United States. Co-published with its prequel, The Adventures of Tom Sawyer, adapted by Matt Josdal, illustrated by Brian Shearer (ISBN: 978-93-80028-34-7). (Graphic classic. 12-14)
Pub Date: Oct. 19, 2010
ISBN: 978-93-80028-35-4
Page Count: 72
Publisher: Campfire
Review Posted Online: Aug. 17, 2010
Kirkus Reviews Issue: Sept. 1, 2010
A graphic-novel treatment of Shakespeare that fails miserably where others have succeeded. In this brutally savaged graphic adaptation of the play, the Bard’s lines have been transformed into conversational banality (“How is it going, Shylock?”; "That goes for me too!") within often-misplaced dialogue balloons. Astonishingly, there’s nary a mention of Jews, leaching all the power from Shylock's "Has not a Jew..." speech ("And why has [Antonio] done this? Do I not have eyes like everyone else..."). Actually, just about all of the set speeches are nearly unrecognizable: "The quality of mercy is not strained" becomes “You don’t need to have a reason to show mercy.” Visually, the floridly dressed Venetian figures in Kumar’s showy illustrations just stand about in panel after panel, gesturing awkwardly and looking past one another’s shoulders. Portia’s taste for revealing, off-the-shoulder gowns may give adolescent gawkers pause, but as an invitation to read the original or see it performed here’s sure proof that all that glisters is not gold. A closing set of riddles is offered as an activity link to Portia’s three boxes in the play. Skip. (Graphic adaptation. 12-14)
Pub Date: May 17, 2011
ISBN: 978-93-80028-59-0
Page Count: 22
Publisher: Campfire
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
