Enough glimpses of the familiar to make a skin-crawling read. In spite of the taboos being flaunted, this is a remarkable...
Ever true to his transgressive muse, Cooper opens another shop of horrors suitable to follow his five-novel cycle (Period, 2000, etc.), here coupling sexually involved teenaged brothers with a post-Columbine world skanky enough to strike dread into the heart of any parent of adolescents.
Larry, tormented and confused, thinks he has killed his best buddy Rand with a single punch delivered because his friend seemed to have a thing for his younger brother Jim. Guilt drives him, a year later, to use the punch again, this time to fulfill a contract taken out on a schoolmate—pimped to gays by his mother and slashed by her for her own pleasure—who’s not really keen to live anyway, then buries the boy near the family vacation cabin of his girlfriend Jude. Confusion—about his relationships with Jim, Rand, and his drunken rival Pete—sours his relationship with Jude, whom he suspects of fooling around with Pete. But uncertainty about his sexual identity goes much deeper: Larry also tries to fool around with Pete, takes another male friend on a “date” only to beat him up and let the school’s leading Nazi rape him, and visits the teenaged daughter of his therapist in her bedroom, all the while trying to parse just what is going on between him and Jim. Whatever it is, Jim seems to be on top. Larry learns that he didn’t kill Rand, that in fact Rand committed suicide, and that the other boy he thought he’d killed was actually strangled by Pete. But instead of making him feel better, the news has the result of impelling him to shoot his cancer-ridden dad and drunken mom in their living room—while Jim is on the phone with his therapist.
Enough glimpses of the familiar to make a skin-crawling read. In spite of the taboos being flaunted, this is a remarkable portrait of a soul in hell.Pub Date: June 1, 2001
ISBN: 1-84195-274-5
Page Count: 128
Publisher: Canongate
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2002
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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