Enough glimpses of the familiar to make a skin-crawling read. In spite of the taboos being flaunted, this is a remarkable...
Ever true to his transgressive muse, Cooper opens another shop of horrors suitable to follow his five-novel cycle (Period, 2000, etc.), here coupling sexually involved teenaged brothers with a post-Columbine world skanky enough to strike dread into the heart of any parent of adolescents.
Larry, tormented and confused, thinks he has killed his best buddy Rand with a single punch delivered because his friend seemed to have a thing for his younger brother Jim. Guilt drives him, a year later, to use the punch again, this time to fulfill a contract taken out on a schoolmate—pimped to gays by his mother and slashed by her for her own pleasure—who’s not really keen to live anyway, then buries the boy near the family vacation cabin of his girlfriend Jude. Confusion—about his relationships with Jim, Rand, and his drunken rival Pete—sours his relationship with Jude, whom he suspects of fooling around with Pete. But uncertainty about his sexual identity goes much deeper: Larry also tries to fool around with Pete, takes another male friend on a “date” only to beat him up and let the school’s leading Nazi rape him, and visits the teenaged daughter of his therapist in her bedroom, all the while trying to parse just what is going on between him and Jim. Whatever it is, Jim seems to be on top. Larry learns that he didn’t kill Rand, that in fact Rand committed suicide, and that the other boy he thought he’d killed was actually strangled by Pete. But instead of making him feel better, the news has the result of impelling him to shoot his cancer-ridden dad and drunken mom in their living room—while Jim is on the phone with his therapist.
Enough glimpses of the familiar to make a skin-crawling read. In spite of the taboos being flaunted, this is a remarkable portrait of a soul in hell.Pub Date: June 1, 2001
ISBN: 1-84195-274-5
Page Count: 128
Publisher: Canongate
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2002
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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