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ONCE UPON A RIVER

Celebrates the timeless secrets of life, death, and imagination—and the enduring power of words. Fans, rejoice! Definitely...

In Setterfield’s (Bellman and Black, 2014, etc.) new novel, a town by the River Thames is deeply shaken and inspired by the arrival—and apparent resurrection—of a mysterious young girl.

At the Swan, an inn along the river, storytellers gather to spin their magic on cold winter nights. But not even the most creative teller can compete with the horror of reality when a stranger, horribly beaten, arrives at the door, clutching a dead child. As Rita, the local nurse and midwife, gently takes stock of the man’s injuries, she also realizes that the child is not dead, though no one seems to know who she is. Soon enough, two possibilities arise: She might be the kidnapped daughter of a local businessman, or she might be the daughter of a local farmer’s scoundrel son. She may even be, the denizens of the Swan acknowledge in whispers, and stranger still, the long-lost daughter of the phantom ferryman who patrols the Thames, saving those who fall in before their time and taking those whose time has come to the other side of that vast, mercurial expanse. Setterfield masterfully assembles an ensemble of wounded, vulnerable characters who, nevertheless, live by the slimmest margins of hope—hope that springs from family, from the search for meaning, from people's decency to strangers, from the belief that truth heals and sets one free. Despite the harsh vagaries of the river, it also brings the promise of life and the peace of death and, Setterfield reminds us, the never-ending, transformative power of stories. And stories, in turn, expose our humanity—the best and worst of humankind, and somewhere in between, the quiet, unremarkable connections, the small gestures, the perfect heartbreaks that give our lives meaning.

Celebrates the timeless secrets of life, death, and imagination—and the enduring power of words. Fans, rejoice! Definitely more The Thirteenth Tale than Bellman and Black.

Pub Date: Jan. 8, 2019

ISBN: 978-0-7432-9807-0

Page Count: 480

Publisher: Emily Bestler/Atria

Review Posted Online: Oct. 1, 2018

Kirkus Reviews Issue: Oct. 15, 2018

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THINGS FALL APART

This book sings with the terrible silence of dead civilizations in which once there was valor.

Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.

Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.

This book sings with the terrible silence of dead civilizations in which once there was valor.

Pub Date: Jan. 23, 1958

ISBN: 0385474547

Page Count: 207

Publisher: McDowell, Obolensky

Review Posted Online: April 23, 2013

Kirkus Reviews Issue: Jan. 1, 1958

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